A lot of people say that this film is a bit like Gone With the Wind or The Veil, but in my opinion, it's more like The Age of Innocence by Martin Sykes. A man who is trapped in the standard upper-class society under the repression of invisible etiquette and rules, how to struggle, grow or give up in dealing with love and marriage, in the old system and the new era. Benedict in "Team". Cumberbatch's actor Christopher and Daniel Day-Lewis' Newron in "Pure" are in different countries, but they both belong to the same so-called upper class and face similar emotional predicaments and problems. Social survival dilemma. People in this class have their own rules of the game and their own set of standards for marriage, that is, no matter who you fall in love with, no matter who your legal spouse has an affair with, but you have to do your best in social situations Public domain to maintain the integrity of your marriage. As for the woman you really love, you can communicate privately, but you must not be discovered by others, and you must not even be seen by others. What is killing the invisible. Red Rose and White Rose In "The Age of Innocence", Ailan, who looks enthusiastic and free, is the cinnabar mole of the hero Newron. In that era, the inhuman who married unexpectedly wanted a divorce. Ailan, who did not conform to the rules, represented a kind of breakthrough. She is the red rose, the one who the male protagonist really loves in his heart; and Mei, who looks pure and meticulous in her heart, represents a kind of traditional clinging force, what she does All kinds of invisible efforts are not so much to maintain her relationship with the male protagonist as to maintain the curtain of the kind of marriage that the class wanted at that time. She is the wife of the male protagonist and the white rose who becomes the white rice. The most fragrant is the red rose. In "The End of the Queue", the situation is the opposite. Sylvia, who looks enthusiastic and slutty, is the red rose of the hero Christopher. She misbehaves, behaves vulgarly, betrays her husband before and after marriage, but at the same time Because the relationship of Christian status cannot be divorced, the marriage relationship has long existed in name only; and Valentine, who looks pure and loves to wear white clothes, is the white rose of the male protagonist. She bravely pursues women's rights and her own love, and does not care about other people's eyes at all. The women of that time were more advanced and braver than the women of today. In the end, when the red rose finally turned into mosquito blood, the white rose finally ceased to be the bright moonlight in front of the bed. Here, white roses have become the most fragrant. No matter who has a lot of roles, no matter who has a high status, no matter who is more beautiful, or even who is popular, the one who deserves to be loved is the heroine. The common characteristics of these two heroines are rich souls, deep thoughts, avant-garde behavior, and courage to break through the old times, which are deeply attracted to male protagonists who also have rich souls. Red roses, white roses, the one who is loved is fragrant and clear, refreshing. The two male protagonists who were struggling in their marriage had almost had a chance to have a real tryst with their beloved woman, but in the end they missed it unexpectedly. But people with dirty hearts, even some friends, have never stopped talking about them. They don't know what it means to connect with each other. They don't know that a woman doesn't need to dedicate her body, as long as she has a unique life experience and rich personality. She will be very attractive. The heart of the war lover of the rose is no longer here, but the title of her husband still has to be kept. As the second female wife, although they also have the name of the original spouse, they also took different measures to save the marriage because of their different attributes, resulting in different results. The wife in "The Age of Innocence" is the popular White Rose played by Winona Ryder. She has a simple appearance, decent manners, and a shallow soul, and her husband cannot share the spiritual world with her. But she is not stupid, she is scheming (in stark contrast to the red rose who is full of heart and behaves inappropriately), without a word of reproach, she ties the hero to death, so that the hero can only secretly look at outsiders. Such a gentle and harmless wife died quickly, but she couldn't even utter a rude word. Such a white rose is really scary. In "The End of the Queue", the charming Sylvia can treat men with condescension, using blows, and both sides, but because she is too pampered, she has always been willful when it comes to her husband, and she wants to hurt her. Her husband, Christopher, noticed that the overly gentle husband was able to endure at first and gave each other opportunities, but gradually, the experience of joining the army made him feel the vitality of the new era, and his thinking has also undergone fundamental changes. Marriages that exist in name only naturally lose their binding force, and divorce has become inevitable. At this time, not only did the red rose have no fragrance, but even the petals could not continue to flaunt. The ending of "The End of the Queue" also finally softened some of the sadness that I had been smothering with "The Age of Innocence". Because I don't know who said it first, there is no first come and last arrival in love, and the third party is the one who is not loved. May those who have love become loved ones, and may the soulmates in the world become dependents in the end. The white rose played by Reid has a simple appearance, decent manners, and a shallow soul, and her husband cannot share the spiritual world with her. But she is not stupid, she is scheming (in stark contrast to the red rose who is full of heart and behaves inappropriately), without a word of reproach, she ties the hero to death, so that the hero can only secretly look at outsiders. Such a gentle and harmless wife died quickly, but she couldn't even utter a rude word. Such a white rose is really scary. In "The End of the Queue", the charming Sylvia can treat men with condescension, using blows, and both sides, but because she is too favored, she has always been willful when it comes to treating her husband, and she wants to hurt her. Her husband, Christopher, noticed that the overly gentle husband was able to endure at first and gave each other opportunities, but gradually, the experience of joining the army made him feel the vitality of the new era, and his thinking has also undergone fundamental changes. Marriages that exist in name only naturally lose their binding force, and divorce has become inevitable. At this time, not only did the red rose have no fragrance, but even the petals could not continue to flaunt. The ending of "The End of the Queue" also finally softened some of the sadness that I had been smothering with "The Age of Innocence". Because I don't know who said it first, there is no first come and last arrival in love, and the third party is the one who is not loved. May those who have love become loved ones, and may the soulmates in the world become dependents in the end.
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