In the first half of the film, Katerina's image was initially established by narrating a short story: she missed the college entrance examination by two points. She was originally a punch operator, and she learned to be a mechanic. When she was asked to help guard their luxury high-rise apartment complex, when her close friend Lyudmila asked her to pretend to be the daughters of a professor to deceive a man, she first refused, and then reluctantly accepted her plan. ; when she knew she was pregnant, she first asked Rudolph to find a familiar doctor for an abortion; but when the ruthless Rudolph knew her true identity and left her; his mean and shameless old woman wanted to fall When the money was cut off, she flatly rejected the old woman's "kindness", determined to give birth to the child and bring up her own, determined to go to university and become a "strong man" to stand out. Her image cannot be described as "tall" or "beautiful", but it reflects "truth, kindness and beauty". This may be the original intention of the film: to praise this kind of "truth, goodness and beauty". To this end, in addition to using Rudolph and his mother as a contrast, the film also vividly depicts several of Katerina's true friends, weaving a "truth, goodness and beauty" network. When Katerina stood in front of the hospital with her newborn baby and doctors and nurses, her other newlywed friend Tonya brought a car and asked her husband to be the father of the child to meet her; she also hosted a family dinner Come with friends to celebrate the baby's new birth: and the hockey player who was delighted to know Lyudmila's true identity brought a crib through the back door and an exceptional glass of wine in a time when everything had to be planned; Tony Ya also made a room at home for Katerina and her daughter. These details make people look fresh, feel happy, and learn from them. How Katerina raised her daughter and how she became the director of a large factory of 3,000 people is beyond the intent of the film. She stayed by the baby's side and read until two in the middle of the night. She was so sleepy that she turned on the alarm clock and went to bed at seven; when the alarm clock went off, it was seven o'clock in the morning seventeen years later. She drove her private car to the factory, methodically, Arranged things neatly, went on a date with her lover, a married man, and returned home after the passion, crying in pain. Obviously, the career is successful, but the heart is empty. The TV station was going to film a show where she was talking behind her desk, and the photographer who came to her unexpectedly was the same Rudolph who had only been a photographer for more than ten years. Katerina was magnanimous and did not take the opportunity to retaliate against his words and deeds. She also met Rudolph's request in the garden in the middle of the street, and politely asked his mother, but she justly refused Rudolph's request to see his daughter, The reason is just that he never did anything for his daughter. Lyudmila's family was unfortunate, her ice hockey player fell into alcoholism and could not extricate herself from it. Although she had been divorced for many years, she still came to borrow money every three days. She was at the front desk in the laundry room and fell in love with a general who had a family. Only Tonya, with the exception of her son who secretly smokes, has a happy family life. She often invites Katerina and Lyudmila to her country house in the suburbs. Songs they loved to sing when they were young. The film uses a lot of space to vividly depict all this, as if to say that this is a typical example of middle-aged Russian women. Their experiences, status, and situations are different, and they are all kind ordinary people. It is possible that they Live like this until old age and death. From the very beginning, the fitter Guosha met Katerina by chance, and knew that Katerina was his ideal wife and could live happily with him for a lifetime. He is sincere, forthright, and humorous. The instrument he made helped doctoral students write their thesis. His character and accomplishment made several doctors become confidants; and Katerina was also quickly moved by his sincerity. Taking the lessons from the past, Guo Sha publicly advocated and insisted that the status of men in the family should be the highest, and if women are higher than men, it is not a family. When Gosha used his fists to teach a few bad boys to help Katerina's daughter and her boyfriend, and Katerina asked him not to do this in the future, he was very dissatisfied, claiming that he should not "raise his tone" in the future. Talk to him; and as soon as he knows that Katerina is a factory manager, he leaves without showing his face for eight days, and he is also in pain, drinking alone. The Tonya couple and Lyudmila rushed to visit and comfort Katerina, and Liu Demila said to Katerina who was crying, "Don't cry, Moscow doesn't believe in tears"; Tonya's husband used a man's method ——Drinking together and speaking the language of the man made Gosha and him back to Katerina, and the three women were weeping together. The film is like this, there are not many twists and turns, there is no grand scene, the excellent performance of the actors and the singing accompanied by the guitar from time to time are a major feature of the film, which vividly depicts Katerin. Na, Guosha and the many characters around them, from their experiences, encounters and their behaviors, put out their attitudes to life, philosophy of life, and praised "truth, kindness and beauty", which is intriguing and thought-provoking. "Moscow does not believe in tears", it believes in truth, goodness and beauty. This movie needs to be slowly and carefully savored.
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