Why Bob Dylan and not them? This seems to be an accidental problem. Success is a precise instrument, and no one can figure out where they have lost a screw, and they have not made it turn. "Underlying talent" is an underused word. Because talent can sometimes be the least important part on this machine. The problem with Sugar Man is that he's not that kind of guy at all—he's a guy who's too calm about life. In his Latino working-class concept, he did not regard music as the only thing in life, nor did he have the mentality of "give it a try", rushing out of the house and going to Greenwich Village to sleep on the sofa and smoke. The cannabis bubble girl, sharpened her head and drilled into the circle. Since he never walked that road, the so-called failure of bystanders does not actually exist. It's a pity that in this era when music has become a profession and a business, if you don't go that way, your talent can only be kept by yourself.
And Dave did pursue it. Toss the seafarer's card aside and truly act like a button drifting from one couch to another's floor. There is no winter coat or cotton shoes, and the luggage is so simple that it is purely proletarian. This kind of sustenance is now considered to be disrespectful, and in fact it was no more than that of the troubadours of the Middle Ages. It's a pity that he didn't win that big lottery in the end. The film implies that the "eye edge" of Grossman, who will become Dylan's agent in the future, is probably a guy with soft hair, pale skin, a little childish, and a little neutral temperament (so Jia Tingting, your eyebrows are so cheap, it won't help. ). But then again, even if you are hungry and cold and in a bad mood, you shouldn't sing about the queen's death during the interview. . . He doesn't have Dylan's memorized voice - who says it's not an important symbol of "money"? Years later, time has proved that none of them are as creative as Dylan - he can continue to drift for so long after success, tinkering with those "boots and legs" endlessly. This can be said to be the luxury of opportunity, but not everyone can do it.
Compared with the a bit bloody New York literary and youth stories, road drama is the private kitchen of the Coen brothers. In the middle of the trip to Chicago, the temperament is too fierce. In particular, as soon as the fat man with the red head and the red mouth appeared, he immediately had a kind of rush to "Barton Funk" (Blessed are Cohen fans). If it weren't for such a reincarnation structure, this middle section would definitely have a drama. But as the protagonist returns to the Upper West Side, everything goes back to square one. The cat named Ulysses finally returned home. At the end of the song, the fist in the alley is still waiting for you for some reason, don't try to escape without saying anything. That's right, it's all like the one who won
the lottery sings:
How does it feel?
To be without a home
Like a complete unknown
Like a rolling stone
One piece can write it out and sing it out. So, no one else has anything to complain about.
View more about Inside Llewyn Davis reviews
