At first I thought that the girl would go ahead for the boy she loves, overcome all difficulties and come to a play of "princess saves the prince", bravely venture into the underground world, rescue the boy's soul, and finally live happily together, as in "Goldfish on the Cliff". In "Ji", the little goldfish galloping on the waves is really thrilling and makes me enthusiastic! But the next plot is to swallow a piece of boiled water slowly, not knowing what the girl is going to do, she follows the male teacher into the underground world, and her thoughts are confused, not as firm as the male teacher's thoughts, even if she meets Shun's younger brother's heart, Not showing much passion.
At the end, when she was about to climb off the cliff, the girl was cowardly. I thought that under the patient teaching of the male teacher, she would strengthen her faith and climb down bravely, in order to save the boy she loved. I didn't expect that the plot made a joke to me, She actually didn't go down! Having made a mistake in judgment, I despised myself for a while, thinking that with my humble opinion, I really couldn't speculate on the director's great intentions. In the next development, I was completely defeated by the director! The girl thought about the result of the night, and it turned out to be "loneliness"! My worldview has completely changed! This completely explains why every time the male teacher helps her to explain her coming to the underground world, she herself came here in a daze and involuntarily.
The results of it? The girl returned to the ground like a normal person. It seems that after going through all this, she has grown up. All this is just a little trouble of growing up, but what about the others? My heart was dragged into the water, and I became a homeless person who could not stay anywhere in the underground world, shouting everywhere, and the male teacher was blinded in one eye (I thought there would be a "Lolita" plot, even if I didn't become a teacher Born in love, director, you made the male teacher and the girl's mother a family, isn't it also a big reunion?) Or the heart also came to the earth world and started life again, which is also perfect, but, speechless. . .
What is incomprehensible is that when the soul of the male teacher's wife comes out, it needs a living body, and the girl appears at the right time. The male teacher just feels a little ashamed of the girl (note, I just feel a little ashamed and sorry, and I don't feel any need for it. Take the life of a girl who was so good to him!) This cruel psychology and behavior completely obliterated the previous plot of the two of them caring and loving each other, and it seemed rather blunt.
Therefore, Makoto Shinkai, please continue to maintain the style of "Beyond the Clouds, The Promised Land", "Five Centimeters Per Second" and "The Garden of Words". This purely adventurous style is not suitable for you!
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