If it's a woman disguised as a man, it's easier to accept. When I was a child, I watched Yue Opera with adults, and there were almost no men. It was not difficult to accept the handsome men who were dressed as women. But watching Peking Opera is not enough, even a famous actor like Mr. Mei Lanfang, no matter how charming and delicate he is, he still feels pretentious and awkward.
There is a signature character in Zhou Xingchi's films - Ruhua, who is the "superior" man who "transforms", with a face full of flesh, a beard, a dull eye, a sausage mouth, and a nose buttoned. But Zhou Xingchi knows how to be careful, like flowers come and go in a hurry, so that you have the desire to vomit but you can hold it back.
There are more successful women pretending to be men, especially in the drama world. For example, Xu Yulan, who sang Yue Opera, made Jia Baoyu beautiful and refined. Another example was Ma Lan, who sang Huangmei Opera, and her concubine performed heroically. In the movie, the most impressive person in the film is Anita Mui, and Lin Qingxia, who doesn't know if it counts. Murong in "Evil and Poison in the West" is a "hermaphrodite", and Dongfang Invincible in "Swordsman" is a eunuch, but Such a level is considered excellent, and Ye Tong, who has played Xu Xian for a long time, can only be regarded as passing.
The Waynes brothers are not as kind as Zhou Xingchi. They are pretending to be women from beginning to end, and they are coquettish women. They are wrapped in a layer of suspected rubber from head to toe, and they compete with other coquettish women. Dates with equally strong men, and catwalks with models of all kinds, although their intentions are good, to protect women, arrest criminals, and maintain social stability, but this is far beyond my psychological capacity.
I once swore that I would not go to Thailand to see shemales, it was so disgusting, it was simply dehumanizing and killing living beings. The world is wonderful enough, women are colorful, men are tall, short, fat and thin, so let it be. I really wanted to watch "Peach Color" and see the coquettish Zhang Xiaohui, but I was afraid that Ha Lixiu would ruin my appetite, so I had to give up. If Yue Buqun in "The Swordsman" didn't wield his sword from the palace, I wouldn't spurn him. There are many people with scheming and scheming, and at most I don't like him. Since the palace is a watershed, from "human" to "non-human".
Just like when I was in Suzhou, I admired the unique ingenuity of gardens, borrowed from the natural way, but I don’t like Suzhou-style bonsai. The "Mandarin Duck and Butterfly School" also did not have a favorable impression of them, nor did they have a favorable impression of the contemporary morbid Soviet literati represented by psyllium.
I appreciate Zhao Benshan's words more - what is love? This kind of attitude in life is good, let it be natural, just like Zhang Sanfeng's Tai Chi, the most soft can overcome the rigid, I have only seen flowing water can polish the stone without any edges and corners, I have never seen the stone cut the flowing water into squares. Bar? This is power, the power of nature, and what we have to do is to obey, borrow, and use it. Obedience is the premise, being reckless is not good; borrowing it requires skill, and it must be natural; using it is the realm, all things are used by me, and people are not enslaved by things.
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