Adele asked Emma in the restaurant.
How did Emma respond?
Emma shed tears but shook her head, or Emma shook her head but shed tears.
do not love. Too cruel, and there is no need to be cruel. You can also perceive each other's pain, and when you see each other's faces, you can still recall the happiness of being together. Too cruel to speak.
Love. Why tell such a lie.
So, what a difficult question to answer.
"I'm with her now. You know that," Emma said.
Subtle and clear, polite and gentle, the aftertaste of the old love is also cushioned in the words, so that the other party will not be too painful to catch.
Adele was full of tears and snot, looking dumb and stupid, at a loss. Exactly the same as when Emma was caught raped and kicked out of the house.
Just like every broken-hearted girl.
From the beginning to the end, the film did not intend to interpret anything, and the love between women and girls is not the theme. Just love, ordinary, fragile love. Love is here, love is gone, it's a matter of course.
We see a certain period of love in two people, and it is bound to be a certain period of youth. At first they were attracted to each other like fate, then infatuated with infatuation like they had lost themselves. Then, the relationship became dull day by day, and I started to work on my own, and I began to look around, and my insatiable self gradually woke up. Life is not good enough, there is more to it than I love you. To pay attention, to accompany, to be together all the time, to constantly prove to me.
How lonely otherwise. you are not by my side.
So pass the time and prove the charm. Then it was discovered very naturally, or it could be said that Adele didn't have any hidden talent for lying at all. Listening to her lying was torture for both others and herself, and it also made people feel inexplicably nervous and ashamed for her clumsiness. Then quarrel, separate, regret, suffer.
For adults, the pain of lovelorn is rarely shattered, but the ordinary daily life becomes so unbearable because of the loss of a person, and every segment and gap in life deserves that person. Come to fill in the painting, but now there is no such person as it should be.
Everything went wrong. Happiness, sadness, joy, success, everything is not quite right.
So you can only dig out a piece of you and a you, dig it out, throw it in a corner, be denied by others, and at the same time no longer belong to you. Then I have to find something to fill the hole in my body, while throwing things in a mess, and crying like a fool when no one is there.
What are you crying for? Cry, has the life that was once the most familiar become so indifferent and boring because of you?
Adele puts on a blue dress to attend Emma's art exhibition, only to discover that Emma now loves red.
At this time, she should have understood that it was all over. This man has come a long way.
We cry, not losing you in the most familiar life, but the most familiar you, becoming someone who has nothing to do with me, living another life that I no longer know.
And the most fucking tragic thing is watching everything in the past in his inability to let go, chewing and chewing repeatedly, and finally it turned into an unbearable taste.
So let go, grow up, feel lost and helpless, leave you.
What an ordinary and true love story. You can watch while crying and self-pity, and at the same time feel relieved. It turns out that this kind of ordinary love that is similar to your own story can also be romantic and touching. It's not so disgusting to think about the madness when you are in love with yourself.
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Speaking of which, when will I be able to be a person who can write without digressing. . .
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