The modernist Antonioni, in his enigmatic film "Zoom" (1966), even knew how to use the very common 4th and 5th winds (reasonable appearance of life) to add a mysterious atmosphere to a passage in the park; In his film "Eclipse" (1962), he used the frantic deafening cacophony of human voices in the segment of the stock exchange to expose the essence of capitalist society (of course some people find this treatment "naturalistic" , or they simply do not understand the audible and visible nature of film and television, or they have a different view of capitalist society). The famous surrealist master Buñuel, in his "The Discreet Charm of the Bourgeoisie" (1972), also pays attention to the appearance of life at any time, for example, the minister calls his subordinate and happens to fly a jet plane. , so the other party heard nothing. It is worth noting that in the films made by a surrealist like Bunuel, it can be said that there is not a single shot that is not real, not a single sound that is not real, all in line with the nature of the film, that is to say, All he shoots is the appearance of life. It seems that it is not necessarily false, but more profound, but whether it has grasped the nature of film and television.
The far-near configuration relationship of the sound The relationship caused by the distance and orientation of the sound in the sound field can be called the far-near configuration relationship of the sound (visually called the perspective relationship). The recording equipment is a recording tool, and it must reflect the far-near configuration relationship of the sound field in the actual recording. Therefore, film and television creations should consider this relationship when designing space scheduling. If you use the method of dubbing later, you not only need to have a design in advance, but also need to accurately reflect the design during dubbing, which is almost impossible unless it is shoddy and shoddy. This is the current situation of film and television creation in our country.
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