Today's Abbas Kiarostami seems to be particularly fond of the role of sound, especially the aesthetic effect formed by the interlacing of sound and picture. In addition, the limitation of space, the transformation of characters and their perspectives have also become the focus of the narrative, and the role of the representational text has become increasingly prominent.
A master at his level, there are always two sides to filmmaking these days. He played the same treatment casually, but made the audience willing to develop different interpretations, and if the pattern is not big enough, it will obviously still give the audience a sense of disappointment.
View more about
Like Someone in Love reviews