The sadness of this story is that love is not lost to gender, but to class differences. Lace love is actually just an embellishment, or a form - Adèle walks alone on the road at the end of the film, and the ethereal music plays again when she meets Emma for the first time. The last scene is a man who seems to be interested in her. As if implying something.
Who should you be with?
At the end of the day, Adèle still has the idea of a perfect lover when she was young, and she feels good enough when she does it (because she dumped her male classmate), and she needs to understand her and accompany her to understand her heart (because she was neglected by Emma) with colleagues). If you do something wrong, you want to hide it, but if you can't hide it, you cry and beg for forgiveness.
Most of the people around me have lowered their demands. Sometimes I gossip with others that A and B are together, and my reaction is often "I can't think of it!" Then others often add this sentence, "Hey, everyone is lonely, even if it is for the convenience of life, some people talk and live together. There are also some..."
When talking with older friends, I sometimes hear "I was introduced by someone else, I think they are not bad, and the time is about the same, so I got married."
When I was a teenager, my beliefs were floating . The love in the castle in the air is basically scornful of those above, and feels that such people are too pitiful. Over the past seven or eight years, I have gradually discovered that this is not the case. It is true that physical attraction is always the first condition, but then I slowly found out that the other person is actually not the same as your thinking state, and once the topic goes deeper, it is impossible to communicate at all (do you know any painter? Picasso. What else? Um... Picasso), it becomes a burden of a dilemma. If you don't tolerate this and don't want to change yourself, it's easy to be single.
So Adèle and Emma were single long after their breakup. I feel the same way.
I wrote a paragraph in [eight and one-half] that came to my mind:
Guido: Perché non è vero che una donna possa cambiare un uomo.
Claudia: Perché non sa voler bene.
Male: Because a woman cannot change a man. Woman: Because he doesn't know how to love. In fact, there are people in love who are willing to change for each other (I have seen them, and there are quite a few), of course, there are Adèle, who have no idea to change themselves, and then they are accused of not loving enough, not knowing how to love... Of course, Adèle has Her own perseverance is part of what I admire about her.
After seeing the people around her split and close, she felt relieved when she saw the screen. It's not that there is no sense of substitution, but I just think, ah, in the end, it's okay for everyone to be strangers and passers-by.
I don't know if this sentence was deliberately said to myself in my heart or what.
More and more I feel that it is still a bit reasonable. Similar background, similar growth environment, it is much easier to understand each other. It's a little hard to give up a part of yourself, after all, it's an age when your worldview is almost fixed.
Today is the coldest day in months. I actually felt a little sick when I watched it in the movie theater. After adding three hours of the French soundtrack, I ended up feeling dizzy. After I came out, I walked in the swooshing cold wind, I couldn't remember the plot clearly, and my mind was full of the love history of me and my friends. While writing and thinking, the writing is chaotic, and after thinking about it, I still do not understand a question:
Practically speaking, what kind of person should I be with now?
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