In the same way, the TV I like to watch is not only cartoons, but also shows that introduce the scenery of various places, and even the kind of shows that broadcast music and scenery, and the animal world. It wasn't until later that I found out that other kids didn't like it, so I pretended not to. It can be seen that children are not completely unintentional, nor are they innocent by nature. The innocence of children is just clumsiness hidden under the simplicity of experience. But I would still watch it if I was alone.
I also like fairy tales, novels and poetry, which bring me another world. But it seems that not all children like these, so when I was a child, I concealed these preferences in order to make myself the same as everyone else.
Off topic. What I'm trying to say is that this movie doesn't have a single dialogue or a single line. All the dialogues are majestic and atmospheric music, but they can give people a strange shock and resonance. Including those memories that made me have the above.
The footage of the film starts and ends in Tibet. After the sand painting is destroyed, the colors are mixed together to produce wonderful colors and magical swirls. The colors are magnificent and hazy, like the Milky Way I imagined when I was a child.
Slaughterhouses, armies, factories, indigenous people, slums, garbage dumps, people struggling to survive, newborn babies, baptized children and funerals, metropolis, confused neon and city lights, busy traffic on viaducts, crater collection The shoulders of the people in Brimstone were crushed by the poles, the inflatable dolls, the eyes of the girls who took off their heavy makeup, and the last tears of the geisha, every shot is so naturally connected.
Faced with such a grand scene, I always don't know how to express my emotions in words. My language is indeed too lacking.
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