love is polyhedron

Palma 2022-03-23 09:01:57

At the end of the film, the two are sitting in the car waiting for the red light, and there is a beautiful and unrealistic dialogue.

C: We can disappear. We can raise some money, sell everything, and just leave the country.
E: Señorita?
C: Mexico. Why not? We can get a little house on the beach, take a different name. People do it all the time.
E: What will we tell Charlie?
C: Tell him it's an adventure. We can fish all day…we could learn to play the guitar
E: And I'll serenade you to sleep every night.
C: We' ll just live the rest of our lives on that beach. And then when we die, we can just push out to sea. What do you think?
E: Sounds perfect.

I watched it over and over in these two minutes, every time for them Touched by the deep affection between them. Although the wife cheated and the husband murdered, they still have a desire to stick to each other.

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Extended Reading
  • Napoleon 2022-03-21 09:01:58

    Adapted from Chabrol's "Infidelity" in 1969, Lynn's "reactions" were all very good, but she felt that after so many scenes, she still did not stand up for this role, and her heart seemed to be empty; Like [Peachy Deal], the front is amazing, the back is a hell of a lot; that movie theater is doing a Tati retrospective (no [playtime] and [parade]), and they have sex during [Mr. Hulot's holiday]

  • Tamara 2021-12-10 08:01:47

    Compared with the "End of the Match" in the same period, the exploration of humanity, greed, hatred and ignorance is still too middle-class interesting. Lain is strong in atmosphere creation and psychological rhythm, the revealing hint of the opening gust of slanting composition, and multiple parallel montages to bridge different perspectives. Especially when the trembling body takes the swaying train, the shame and ecstasy tension of lust whizzes out, there are some spare details, in addition to the glass ball, and the second man said Hit me when he went to bed for the first time, and glanced at the fruit knife. And so on, the second half of the film is constantly dissolving the things established in the first half, love, beauty, and self-feeling, and all kinds of sins are used to maintain all kinds of responsibilities, so as to form an alliance. The end car stopped at the intersection of the police station, which reminds people of "Knife in the Water", as if the burden of crime has hollowed out people, leaving only empty hope, but unable to step into the future.

Unfaithful quotes

  • Connie Sumner: Be happy for this moment, this moment is you life.

  • Charlie: What's 'accountable'? Is that like people eating people?