All the unavoidable conspiracies and calculations in the play closely affect the psychological expectations of the audience. Even if the plot is performed by a group of European actors with solid stage play skills, it becomes slower and even more verbose. Intriguing, perhaps, is the violence that also takes up quite a bit of the show. Abuse and torture are full of this fantasy drama. Those natural protagonists who seem to be aggressive in the drama were cut off their throats and died in a flash. The blood splashed on the screen made the audience feel abusive, but they gritted their teeth and looked forward to it. Nudity, sex, SM, and group P are also indispensable to this M-level drama. The dragon girl Daenerys, who is surrounded by thousands of people, has frequently shown her petite body and attractiveness since the first episode of the first season. 's double breasts. However, at the beginning of the third season, Charlie Chaplin's granddaughter, another important actor of the show, Ona, broke the news that a protagonist refused to shoot nude scenes again because she "wanted people to remember me. It's because of my acting skills, not because of my boobs." Obviously, the protagonist she was referring to was Emilia Clarke, who played the dragon girl.
As a result, in the 8th episode, the dragon girl again stood in the bathtub in the marching tent, standing in front of the head gift from the admirers, standing naked to greet her, and the water droplets shook from her "chest that people don't want people to remember". fall down. As a rising star, British girl Clark, who was born in 1987, can't be cheap. The mood and atmosphere of the plot advancement really requires her dedication, plus the stylist's ghostly axe credit, this jade body perfectly sets off her face, making her in the "100 Most Beautiful Faces in the World" announced by the American film critic magazine "TCCandler" at the beginning of 2013. People" list, unexpectedly ranked first.
I was also fortunate enough to get a close-up look at the boobs of "The Most Beautiful Face" at the Cort Theater on Broadway in New York on the day the third season premiered (April 1). The cheapest fare made me sit on the right side of the first row where I struggled to look up to see the stage. At the end of the story, a large bathtub was moved in front of me. The frivolous woman, and her best friend male protagonist, both stripped in, and continued to speak aloud about the unfortunate situation. The police suddenly broke into the door and arrested the socialite, Holly Golightly, who was suspected of drug trafficking.
Friends who love contemporary American literature may already be familiar with the character Holly, who is the unforgettable protagonist of the novel "Breakfast at Tiffany's". Clark, a graduate of the London Drama Center, made his Broadway debut, not only the first time Truman Capote's famous novel was brought to the Broadway stage, but also for the opening of the third season of "Game of Thrones". excellent warm-up. Thanks to HBO's previous two seasons and Emmys earning a lot of money, the little-known Emilia Clarke replaced the great writers Capote and Audrey Hepburn's 1961 namesake The adaptation of the film has become an absolute protagonist in New York City magazines and outdoor advertising campaigns.
It's a pity that Capote didn't live to the 21st century, or the big writers should prefer Emilia Clarke's performance compared to Audrey Hepburn's version of Holly. The former tried her best to break through her elegant image of a European lady, and presented a new country girl who worshipped money and was independent, but was firmly locked by the audience's pure temperament and the fresh "Moon River" in the movie; while the latter was in the drama. The temperament presented in the episode is the transition from the weak to the domineering queen. But this road is obviously far from being deeply rooted in people's hearts, enough for her to show on the stage a "deep fact behind a superficial life" and a set of "socialites' life philosophy that makes people love and hate".
On the Broadway stage, the "Dragon Girl Born in the Storm" in the American drama instantly turned into a lovable but unstoppable caged bird, she said: "No one can keep me in a cage, neither can I Don't want to own anything until I find a place where I'm with something I love. I don't know where this place is, but I know what it's like, it's like Tiffany."
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