weekend time old time

Janie 2022-03-24 09:03:14

After having a good time with someone you haven’t yet met, you lie on the bed and chat until dawn . The
two are obviously sleepy, but their minds are abnormally awake
. Half-squinting their sleepy eyes, or just closing their sleepy eyes, they chat and talk about interesting topics without saying a word.
The two are happy. The big laugh may be done again, maybe
if there is nothing to do the next day, I will wake up
hungry in the afternoon or evening, but I don’t want to eat, I
want to be intimate again, but I am worried that it will affect my image, and the
other party just doesn’t mind, so I will come again After one
session, I decided that I couldn’t stay in bed all day, so I got up and went to take
a shower. When I went out to eat and take a shower, you might find that you may have lost a few pounds, a sunken
belly , a pale face, dark circles, and a pimple that is about to burst
out of the hotel. At times, your legs will be a little limp, as if you will kneel on the ground at any time, take
a taxi to the place to eat, order a table of dishes, but you will be full after a few bites.
Maybe it's because a new relationship has just begun to excite you
. Maybe it's because you don't know each other that well. The network is a bit reserved , but the
excitement and tension will make people unable to eat. In
the end,
as time goes on,
you find that you can't talk about anything but sex. The
original fresh mystery is very little left.
You will never chat until dawn orgasm . Afterwards, go to sleep with your backs facing each
other. If you are thinking about something in bed, it is better to find someone who can communicate mentally.

Week

end

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Extended Reading
  • Meta 2022-03-19 09:01:07

    In two days, we seem to have met for a century.

  • Cassandra 2022-03-20 09:02:32

    A / If a rigid concept of boundaries is presupposed, then the film can only show or be trapped in boundaries. But the boundaries that Hagrid portrayed in this work are constantly floating and looming. Starting from the tilt of the building under the street slope when the title was released, the film enters a "life" world where many sounds and distortions of perspective coexist. Heterosexual couples breaking into the fixed camera, gay couples walking into the swimming pool through the slow mirror, and even unstoppable voices blocked by their figures in the swaying subway space... They are all indifferent but still The strange feeling of the diaphragm breaks the "room" created by the camera for the protagonist. But Hagrid doesn't stop at smoothing this coexistence. He repeatedly rubs the feeling with intimate and improvised exchanges, affirming that its plain density collides with its "reasonable" form. In the end, this split identity experience is wrapped up in a clumsy way of acting, turning into a wisp of smoke drifting in the distance outside the window.

Weekend quotes

  • Glen: It's like when you've had the same friends for too long, they become like - Everything becomes cemented.

    Russell: What? And that's a bad thing, is it?

    Glen: Of course, it's a bad thing. I don't want to be in fucking concrete, thank you very much.

    Glen: It's like they won't let you, they won't let you be any version of yourself except an old version, or the version that they want you to be.

  • Glen: Look. Straight people like us as long as we conform, we behave by their little rules. Imagine your friends if you suddenly started getting all, but really, political about being a fag, or you got suddenly, like, camp and swishy or talked about rimming all the time.

    Russell: [interrupting] But that's not what I'm like, is it? That's not who I am.

    Glen: Well, just trust me: They like it as long as we don't shove it down their throats.

    Russell: Okay, well, why should I just shove it down their throats?

    Glen: Because they shove it down our throats all the time: Being straight. Straight story lines on television, everywhere - in books, on billboards, magazines, everywhere. But, ah, the gays, the gays -

    [gasps]

    Glen: "We mustn't upset the straights. Shh. Watch out. Straights are coming.

    [lisping]

    Glen: Let's not upset them. Let's hide in our little ghettoes. Let's not hold hands. Let's not kiss in the street, no."