The essence of Hong Kong

Movies are sometimes like big-character posters, and you can see through the literal praise and criticism to see the level of the real realm. Some directors like to go to war, big scenes, big stars, big stories, big truths, and pretend to be masters. Qiu Litao is a very amazing director. He shoots a lot of bad movies, and occasionally he wants to discuss his life, but his words often fail to convey his meaning. But look at his subject matter, look at his perspective, and through those lame expressions, you can clearly feel his sincerity. Just like Supreme Treasure said to Grape: "You're just a robber, big brother, don't learn from others!" And Grape would retort: ​​"Robbers also have knowledge."

What's more, this film is not bad at all.

Brother Da Fei and pheasant, Xiao Niao and Fan Jiao, saw Chen Xiaochun standing beside Huang Qiusheng and almost cried with joy. I can't say enough about Huang Qiusheng. Although the other characters are not as soft as him, they are also appropriate. Hong Tianming was finally no longer blurred, even though his crumbling fake belly grabbed a lot of scenes. The former Yuan Liangliang was Mrs. Ye, and although she felt ruthless over the years, the couple looked at each other on their pillows, and Ye Wen said that the relationship between the two when Lao Hua couldn't see the wrinkles was really heartwarming. The one who made my eyes shine was Jiang Luxia, the hot lady and the big curly hair are in conflict. In the final duel with Xiong Xinxin, Huang Qiusheng's eyes are bright, and the grandmaster's demeanor is beyond Weizi's few cars. The close-up of Xiong Xinxin's scarred face in the rain is holding the image of Hong Kong cinema in my heart.

This film, also known as "Ip Man's Ultimate Chapter: The Years of the Xiangjiang River", reveals the tone of a heroic film, which is much better than "The Ultimate Battle". There is no battle with foreigners in Ye Wen's movies before, and the arena is used as the ultimate stage for high-mindedness. It is indeed based on Ip Man as the main line, which unfolded the social picture of Hong Kong at that time, from a generation of masters to a master. Some people think it's trivial, like pulling a chronology, or that two or three things are more accurate, but it's not boring. I also hope that the fate of the people among them will be more folded, for example, there will be more plays of Liao Qizhi and Luo Guanlan. They play well and are also my favorite actors.

I haven't seen it for a long time, and I found my true colors here.
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Make up, there are many small dialogues, small movements and small expressions in the film. The fourth sister asked Li Qiong if she had invited Deng Sheng to dinner, Ye Wen praised the master of the White Crane School for his literary style and clasped his fists with a smile, and the scene where Deng Sheng was thinking about a gold watch in the car was really good.

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