The whole process reminds me of Lily Zhou many years ago, the same juvenile violence beautified like a dream, and the seemingly unrelated scenes unfold like a cocoon.
When Uncle Charlie appeared on the scene, Ming Yan was very familiar, and when he saw it halfway, he realized that he was a genius little boss in watchmen - so this kind of babbling and smart is the label. Before this film, I didn’t know Park’s technique very well. The party scene that opened not long ago made people think that the director must have been filming commercials or music videos: the angle of view is crisp, and the camera moves are silky smooth. I saw its cousin in Faye Wong's mv.
The more you go, the more thrilling you get. The director loves little tricks like parallel analogies and a slightly messy timeline, so much so that I’m more concerned, and I’ve always wondered if everything is in the girl’s imagination and in her bones. A man's crazy imaginary world after his desire to kill was amplified by his father's death. I still had a little bit of hope until the last shot, and it turned out that the story didn't have the room for such tenderness.
A few details are a bit stuck in my throat: MHS is a high school that can't be seen, I usually never look at it specifically, I don't know if I will shudder when I pass by; It is easy to make people have some ambiguous associations, and the blood is added vividly from this film; didn't Charlie buried his brother when he was a child to enjoy his brother's love alone? The red-soled shoes, which have become a killer adult symbol, how can I buy them...
Since I mentioned shoes, I want to say another word, although the small cost is also a thriller, this film has no grasp of fashion. Missing, at the beginning of India, Vintage added a little Boho, hair and bags are the finishing touch, Uncle Charlie's Preppy, Nicole's Sophisticated and Gothic, all of them are full of air, it can be said that Koreans are always meticulous.
View more about Stoker reviews
