Second time watching United 93

Iva 2022-03-26 09:01:06

Documentary style, reflecting the facts from a less noticeable angle.

Melba 2022-03-25 09:01:09

[A] Another breakthrough of Green Grass under the combination of hand-held photography and quick editing of the signboard. In this film, the "thriller" element was deliberately added. The first half an hour cuts in from the perspective of ordinary life, and promotes the plot slowly and steadily. Then cut into the information point of the hijacking, and constantly pushed the movie-watching mood to the peak, and then broke out in the 9.11 incident. But unlike normal thrillers, the director doesn't give the audience any respite until the end. In the rest of the time, Green Grass once again demonstrated his ability to process excess dialogue information. Hand-held photography and quick editing intervened in the processing of lines all the time, and constantly detonated emotional points from the dual perspective of audio and visual. A plethora of information to keep the audience on their toes in a simple, crude and effective way (depending on who uses it, of course). The top-level mise-en-scene ability in a small space, the intensified camera shake and line information, and the delicate editing point processing have pushed the atmosphere of the film to its climax. However, the handling at the end gave me a great sense of gap. This shock and despair, which are both contrasted by images and reality, made me feel extremely disappointed.