The film was directed by Brad Anderson, the director of the 2004 version of "The Mechanic". The black beauty Halle Berry took the lead, interpreting the thrilling and heart-wrenching atmosphere from beginning to end. reverse. Little Miss Sunshine, now grown up, Abigail Braslin shows herself in a abused image. After connecting to various claustrophobic spaces in the plot, after the trunk, basement, and wardrobe, the atmosphere of fear is brought into full play. It's a pity that the gangster Michael Eklund's murderousness is slightly less, and he has never played a tyrannical atmosphere like a marginal character.
Of course, the focus of the film is only on the frightening process of the two beauties, nothing else matters. Even if the intelligence of the police in the city is not as good as that of a female operator, it doesn't matter. You can't catch a car with a license plate. It's a last resort to let the operator enter the urn by dropping the phone. The scene of Saw Fright is really helpless. In short, the biggest purpose of watching the movie is more than scaring and screaming. As for whether it is a psychological thriller or a bloody tyranny, it is not necessary to be too clear. It's just that the word "honeycomb" at the beginning instantly reminds the couple of "prism". I wonder if there will be directors in an open country who have the courage to make a film about "prism" to entertain the public.
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