In the past, I gave up categorically, because the mentality of watching movies at that time was very simple.
After I gradually got to know the movie a little bit, my movie-watching mentality began to become complicated. If I gave up a movie in the middle, I would feel awkward, just like I had obsessive-compulsive disorder, and sometimes I had to force myself to watch it.
Now I am no longer as decisive as before, nor as indecisive as in the mid-term, but learned to be tactful and decisive.
Generally, I will first check whether the style of this film is what I like, and if so, I will continue to watch it, but I will not watch it all at once, but will divide it into two or three parts and watch it, which will dissolve the film. of procrastination.
If the style of this film is not what I like, I will not give up recklessly, but will first look at other people's film reviews to understand the theme of the film, and then combine my own knowledge to determine whether this film is worth it or not. Read on.
Closer to home, this film belongs to the first type mentioned above. The style is to my liking, but the narrative is slightly procrastinated. So I split the film into two parts.
The cinematography of the film is gimmicky, which is what drove me to watch it, because I'm a technical guy when it comes to film. But in my opinion, the real highlight of this film is a scene where the camera editing is not fancy at all.
Yes, it's the scene where the heroine goes to the perverted couple's house to rescue the child. This scene has changed from the unrestrained fancy style before, and changed it into a neat arrangement. The whole scene has a strong sense of rhythm and the atmosphere is well created. .
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