When you can't catch it. I just wish you could remember.

Vivian 2022-03-24 09:03:04

At the beginning of the film I thought to myself, "This is one of the most literary romance films ever made." A hook. one breath. All portrayed so real. But at the end. Only a sigh fell. chinaman. There is no love. There is no hope. Except for wealth. nothing left. But he clearly knew it was duplicitous. But also willing to be so blinded. The most traditional Chinese. cowardly. inability. Used to sit back and enjoy it. After verbal resistance was powerless. Will give up sullenly. For girls. Youth can be so gorgeous and open. Even withered early. It's also worth it. no matter what. As long as you feel "worth it". Just good. Sometimes you really don't have to stay together. That one glance contained a thousand words. Enough to last a thousand years.

Leung Ka Fai was really handsome when he was young. The facial features are not surprising. But you can hook people's hearts with a gesture. Body of young girl. like unopened buds. The beauty is unbearable to look at. Thin body. But it seems to be able to burst out with unusual power.

this love. Seems intense. But like water. Flowing through my heart slowly.

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Extended Reading
  • Hilma 2022-03-19 09:01:07

    1. It turns out that admitting to money hurts white people's self-esteem more than admitting to love. Being arrogant because of race, too sad. 2. She doesn't deserve the weight of that ring. The most precious must be given to the one with the most discerning eye and heart; to be understood and cherished is the home. 3. If you are in love again and again, sometimes there is no future. Only when you lose your consciousness, you have no meaning other than remembrance. 4. Leung Ka Fai's interpretation is very delicate and sexy.

  • Deja 2022-03-23 09:02:50

    The heroine is flawlessly beautiful, the plot is depressing and educational, and girls should watch it.

The Lover quotes

  • The Chinaman: My body no longer wants the one who does not love.

  • [first lines]

    Narrator: Very early in my life, it was too late. At eighteen it was already too late. At eighteen I aged. This aging was brutal. This aging, I saw it spread over my features, one by one. Instead of being frightened by it, I saw this aging of my face with the same sort of interest I might have taken for example in the reading of a book. That new face I kept it. It's kept the same contours, but its matter is destroyed. I have a destroyed face. Let me tell you again: I'm fifteen and a half. It's the crossing of a ferry on the Mekong.