Although it is a completely different movie from Kind Gold, it gives me almost the same feeling. At the moment when I forget to breathe, my attention is completely attracted by the pictures that have a sense of rhythm from beginning to end. Sister Mia seems to be completely born for this role. At the end of the film, she raises the shotgun and raises the corners of her evil mouth that she can't look directly at. At the beginning of the film, I will always wonder how strong this girl's performance will be, and what is even more surprising is Matthew. Speaking of the hometown after the storm and the leap year, this guy has always been like a vase. I never thought there would be such a thing. Amazing explosive power. A meaningful glance at the funeral begins to realize that this guy isn't easy either. He simply stood there, motionless, his eyes were full of drama, and he had no idea what he was thinking or doing. Nicole's role is a vase, and she does her job perfectly, no more, no less. If it were Jodie Foster, I wonder if I would have played the character a little too much without realizing it.
Before watching it, I was worried about whether the movie would be similar to those Japanese and Korean horror movies. Some scenes required closing my eyes, but during the whole process, I didn't feel like I wanted to jump out of horror at all, but my heart kept hanging. and enjoy the hearty and incisive frame of pictures brought by fast or slow or bustling and noisy or lonely and silent. Even the portrait of the old woman in the fridge is less terrifying because of the previous hints from the actor's facial expressions.
And the soundtrack, it only appears where it should be, and when it does, it's so natural. The uncle and nephew's four-handed play dedicates the most exciting plot in the movie. I don't know where this music is downloaded. The music is mixed with the faint sound of gasping, which together push the movie to a climax.
Before, I felt that being in Hollywood requires not only two strokes, but also the ability to use your two strokes in a new environment. Director Park Chan-wook seems to have picked the most suitable Hollywood script for him and laid it out in his own way. There are many scenes in the movie that are deliberately cleared of all sounds but chilling down the spine, with a strong director's personal touch, which is not something other Hollywood directors can do. Derived from it, I have always felt that Laomouzi's movie scene is the highlight, and this movie will have a similar feeling. But Laomouzi's movies only use a lot of people, and then they are dyed with a bunch of bright colors that blind the eyes at a glance, and it's over. And this movie saves a slightly bland story with wonderful pictures, and the feeling that the heart is shaky and shaky is hard to let go.
It's been a long time since I've seen such a wonderful movie, so I decided to retake the kind Jinzi again. Does anyone think that Li Ying'ai and Mia are a bit similar at the end of the two movies?
View more about Stoker reviews
