Because "This Killer Is Not Too Cold", the style of Luc Besson, one of the screenwriters of this film, is deeply influential. I have never understood the promotional points of this film before watching the movie, and then to the feeling of actually watching it, but I found that I got too many surprises, or beyond the expectations of this type of film. For the portrayal of the killer, from Loli to Sister Yu, this film took a lot of space, and there are several bright details. Therefore, in terms of details, this film should be at the level of four stars. But overall, it should end up being 3.5 stars. That is, the plot arrangement and the concentration of the protagonist are almost mythical to the point of inconceivable. So, this is the revenge story of a superheroic heroine.
The FBI screen search and phone monitoring techniques shown in the film are still eye-opening (privacy, privacy, no, no?!). The section where the building is aimed at the police officer seems to have been used before. What makes this film amazing, except for the scene where the heroine finally escapes through the sewer under heavy pursuit in the Loli era, is the craftsmanship of the heroine who grows up and becomes a professional killer.
Since it is said that the heroine is the first appearance of the princess in "Avatar", it is interesting that there are several scenes of the two that can still make people reminisce about the daughter of the patriarch of the planet Pandora who dares to love and hate. The temperament, or roar or say, is an easter egg~
Finally, I will complain about it, the Chinese translation name is very stupid. Literally speaking, what was originally a beautiful and cold English title (there was a pun on it) ended up ruining the three attributives in front of the Chinese.
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