The subject is very good

To say whether that approach is right or wrong depends on the standpoint, or the content is based on the contradiction between morality and ethics and factual rationality. This film is very challenging in terms of human rights and morality. It is unacceptable for anyone to take a child away from someone. The law will fully safeguard this people's consensus. Good or bad. But from another point of view, the poorer the place, the more backward the thinking, the people in the film due to poverty lead to moral disorder, family conflicts, etc. Everyone knows many other situations that will happen, so I won't say more. Thinking can't escape the narrow dilemma. Without the influence of external conditions, future generations will always live a confused and abject life. This is the same phenomenon in our backward and closed places. As the heroine in the film said, "cycle". As a hypothetical, you are a resident of the town in the film, willing to let your child leave you and let him live in a better world than staying with you? I think most people don't want to, because of selfishness, and for the sake of the child's future, they should indeed be sent out to get rid of the predicament. The heroine is a part of an idealistic organization. She has seen poverty in many parts of the world. She sincerely wants to make the world a better place. She decides the fate of people privately. There are many things like this in life. You help others, but you can't understand them, because some people don't even understand what help they need. This is a confused ordinary person. For example, during the Republic of China, the railway was built, along the way To demolish many ancestral buildings that pass through it is beneficial to the country and the people for national planning, but it may be resisted by the local people, because they cannot understand this "evil" move from their standpoint, and they are right. What I get in the film is, right? There is no consensus so it is an unanswered topic. Personally, like the screenwriter, I prefer female protagonists, because you can't make everyone in the world understand your thoughts, especially those who stand on high.

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