There is a scene in the opening song, the seaside, the sun will not rise, a group of disciples of the sun Huang Feihong practice on the bright seaside washed by the sea water.
On the streets of Foshan, Guangdong, singing artists and priests are also fighting.
Huang Feihong and the British are not on the same page, but Aunt Thirteen is British and has stayed abroad.
how do you do, then you can answer "Xi'an buckle meat", haha, I laughed to death, I only remember "love tiger oil" when I was a child, I have no impression of thank you of "Xian buckle meat".
Taking pictures, the bird was burnt, Aunt Thirteen: "Put more magnesium powder."
Liang Kuan: An actor who wants to be a martial artist.
The most ambiguous thing between men and women is probably a thin layer of white gauze. You change clothes over there, and the figure is enchanting on the white gauze;
Ya Zhasu: I stuttered when I first spoke Chinese - suddenly when I turned to a western restaurant, Ya Zhasu spoke English fluently. ==== The rubbing of the teeth here creates a sense of surprise for the audience.
Liang Kuan and Sha He were on the bar for protection fees. They met Zhu Rong, and Zhu Rong protected him. Seeing that Shahe's gang was Huang Feihong's apprentice, it was fine, but Liang Kuan's trouble-making personality was still a problem. A fight that had subsided was revived. ——There is also a turning point in this narrative, from fighting - not fighting - fighting. The turning point should be bigger and bigger.
Two parallel narratives intersect at a certain point: on the one hand, Liang Kuan involved Shirong and Shahe's gang in a fight, and also involved the Thirteenth Aunt; Even in the name of the Westernization Movement, Huang Feihong was told to keep his own business. At this moment, Liang Kuan, who was fighting outside, brought the battlefield to the western restaurant where the negotiation was conducted. ——The two narrative lines have an intersection. (Learn)
When Huang Feihong asked the two gangs to stop fighting, every move was just to stop them from fighting, and he didn't say hello to the worst. This is the benevolent person. On the contrary, Shi Rong did not have the aura of making decisions with confidence, and Liang Kuan did not have it, and Ajie only had the power of yang and yin, so Huang Feihong was a unique master of the generation.
The plaque of my land and my people, the fan of the unequal treaty.
When Aunt Thirteen made a suit for Huang Feihong, the two talked about the difference between China and the West. It was also an oil lamp. Their shadows on the wall were very close together. Aunt Thirteen stroked Huang Feihong with the shadows of her hands. Haha, a little joke and true affection in a woman's heart. ——Then the next two lines are really good! :
Huang Feihong thoughtfully: "Aunt Thirteen, since foreign countries are so good, why do you want to come back?"
The Thirteen Aunt, who was guilty of being a thief, replied: "Although foreign countries are good, there are things here that foreign countries don't."
Huang Feihong Surprised, it must have been understood. Then this narrative took another turn - Huang Feihong, who had a heart, also saw the shadows of the two of them on the wall. The shadow of Aunt Thirteen seemed to be kissing him, and he suddenly pushed Aunt Thirteen away. ====(The original narrative was really particular, study)
Shahe's gang is collecting protection fees again. Because of the trouble in the western restaurant last time, Huang Feihong found them and took them to the yamen (at this time he still believed in China Official), of course, it was a fight again. Huang Feihong used an umbrella to hit the opponent and it was difficult to fight back. ====In kung fu movies and martial arts movies, heroes often use whatever they have in their hands as weapons, such as umbrellas, chopsticks, and smoking bags.
Arrow with flaming head.
The 49'19'' paragraph was written so well. Baozhilin was burnt by the fire, and Thirteenth Auntie hurriedly held the bulky camera and said, "Baozhilin will be gone once it's burned." , to keep Ajie on the roof still, she wants to leave a photo for Bao Zhilin, at least, the photo is eternal. ——At this time, the camera was shot from the back of Aunt Thirteen. In the firelight, Aunt Thirteen held the switch in her right hand, and then silently freezed for several seconds before the picture faded out. ==== This is the best narrative segment I've seen in the movie today that uses the "camera" as a prop. It's really emotional. (One of Canon's "leave me" commercials is also an unexpectedly touching clip of "camera narrative".) The
Shahe Gang caused trouble, the priest was willing to be a witness, and the yamen began to investigate them, so they began to collude with the foreign businessman jason , Jason also had a relationship with Huang Feihong when he was in the western restaurant, so the two villains also got together. (The conspiracy of the negative characters, learning)
Yo Xi, in this film, the play staged by the troupe turned out to be The Legend of the White Snake, or Xiao Qing appeared first, haha, I wonder if Tsui Hark was planning to make "Green Snake" in his heart at that time. ".
The British were uneasy and kind-hearted to invite Huang Feihong to watch the play, and the Chinese who shot and shot at the play completely intensified the ethnic conflict. ——The theater was originally a plan jointly designed by Jason and the Shahe Gang. Plan A and Plan B. It would be best to assassinate Huang Feihong. If he couldn't, then he could blame the militia group and blame Huang Feihong in the name of the militia group's troubles.
Saving the country and saving women, these are the two major missions of heroic narrative. (Remember)
The little characters here are also very well created, from the priest who helped Huang Feihong
to the tooth-wiping Su who cried because he couldn't save people.
In that world, many people couldn't stand being bullied by foreigners on their own land, and secondly, they were tempted by foreign gold and silver mountains. Many people chose to cross the sea to seek gold, but many people were deceived. - These are all facts.
Yan Zhendong's golden bell hooded iron shirt.
Liang Kuan wants to worship Yan Zhendong as his teacher. Yan Zhendong is also a master after all. He knows that in today's world, many people are driven to a desperate situation. , has not yet established a firm foothold in Foshan, so at the beginning, he will perform on the street to earn pre-dinner.
In addition to the Shahe Gang, the British, and the Admiral, Huang Feihong's fourth stumbling block appeared - Yan Zhendong, in order to establish a foothold in Foshan, he chose to win the first master in Foshan to gain prestige.
The crisis caused by Yan Zhendong's provocation—the yamen came to look for slander again—the patient in Baozhilin who was sold by the foreigners would be taken away by the foreigners once found—in order to protect the patient, Thirteenth Aunt took him to escape, Unexpectedly, people always have the heart to repay their gratitude. This patient sacrificed himself in order to let Thirteen Aunt escape. ====(This narrative logic, study)
The Shahe Gang surnamed Hong is simply a speculator. Seeing Yan Zhendong's famous town in Tangshan, he turned to Yan Zhendong; and Yan Zhendong also happened to want his power and financial resources. But this time, Liang Kuan has become a senior brother surnamed Hong, and the two have to fight.
Thirteenth Aunt was arrested, Huang Feihong was locked up, watching the fire move on the rows of columns to form light and shadow movement (learning, the effect of light and shadow movement caused by lighting), Huang Feihong seemed to see Thirteenth Aunt holding a The kerosene lamp came to see him.
The kerosene lamp in this play has appeared three times so far, and each of them has been used extremely well: (1) When Aunt Thirteen and Liang Kuan were changing clothes, Aunt Thirteen turned off the kerosene lamp, and Liang Kuan's shadow appeared on the gauze ; (2) When Aunt Thirteen measured Huang Feihong, the shadow on the wall formed by the kerosene lamp acted as an emotional narrative: (3) It was this time here that Huang Feihong suddenly saw another ten with a kerosene lamp. The third aunt came here, calm and moving.
Huang Feihong and Yan Zhendong's Ladder Station is amazing, and the martial arts finger is amazing. This play is over the top, and the weapons are not specific. They are all designed at your fingertips, which is very good.
The last big scene:
Huang Feihong vs Yan Zhendong (fist), the British (guns and guns), and the admiral to stir in the middle.
This big play is gorgeous, whether it is from the structure, the smoothness of the narrative, the splendidness of the fighting, and the grasp of the small details, it is very difficult, so it is not bad.
Ya Chasu and the others went to see Thirteen Aunts, Huang Feihong and Yan Zhendong duel, and when it was over, Huang Feihong said, "Master Yan, we're done." Actually, he felt sorry for Yan Zhendong at this time.
Yan Zhendong was killed by a foreigner's musket. Before he died, he was still struggling: "My iron shirt..." From the moment this character appeared on the stage with two sharp guns in his throat, to the subsequent fights, he was publicized. The iron cloth shirt was invulnerable, and finally died under the musket of the foreigners. It's ironic that the writers have drawn a complete circle around the beginning and end of each character.
Liang Kuan is dealing with Jason. Jason's death is still the principle of leverage! This ship, this mast, the title is also right here, Huang Feihong lion dance for the lottery! The writer is so powerful!
The arrested girl helped Aunt Thirteen get away the surnamed Hong, which is good. Self-help, this nation needs self-help.
Depend on! Bull fork! The gun in Huang Feihong's hand ran out of bullets. Liang Kuan gave him a few. Before he could put them on, the admiral was kidnapped by Jason. At a critical juncture, Nima Huang Feihong shot the bullet with one hand and fainted! Screenwriter Niu Cha! Also, I gave a close-up of this bullet at this time, which reminded me of the vegetable vendor who was accidentally shot by the British (Huang Feihong came forward to seek justice for him at that time), he went to Baozhilin to find Huang Feihong for medical treatment At the time, when the bullet was taken out, he also gave a close-up. At that time, Ajie also said: "This is the bullet in the musket." (Learning... uh... that's the spirit.) At the
end of the film, Wong Fei-hung and the Admiral stood on the side of the ship, and the dialogue was very profound.
Admiral: "Jinshan? Does this world have Jinshan?"
Huang: "If this world has Jinshan, why do these foreign ships come to our port? Maybe we are already standing on Jinshan."
Perhaps, this is why as early as the first half Duan, Huang Feihong should be indifferent to the person who preached Jinshan. He is a master. He has seen through this world a long time ago. He is different from Yan Zhendong's desire for fame and fortune. He just wants to save the country and govern people.
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