If you don't write it, it's four points as follows, Reivew on The Call

1. Touching. The way women are represented in the play is significantly different from the past. The women in this play are not just the vase characters who only cry, scream or faint, waiting for the hero to save them. But it's not completely de-feminine. The female characters are all flesh and blood. They are afraid and nervous, but they are calm, witty, and flexible when necessary (I have to mention that as the kidnapper Casey is really smart, brave, and what to live for) Dare to do it) In addition, the frequency of black people in the play, this film is the highest I have seen recently, and the characters are positive. I feel that this play has subverted many traditional images.

2. The room that Jordan and Casey broke into by mistake, was laid out for a long time and turned out to be just: a room with blood on the walls. It's so scary for you to get a basement, are you still afraid of your fake (although real) hair, a blood-stained bed and a wardrobe? Very disappointed.

3. The last three to five minutes spoiled the whole play. The sentence "WAIT!" I thought it was the most important thing to put at the end. In the end, it turned out that it was just a personal revenge. Maybe this was a deliberate stalk by the director? But seriously, I'd rather see Jordan and Casey hand in hand on a sunny weekend afternoon watching the bloody episode of "Bridesmaids My Biggest" in the finale than the shocking, bewildering ending. Wasn't the image of a distress call operator that took the entire movie to build up in this superfluous?

Finally:

4. Has Casey considered getting a lingerie endorsement? This blue bra looks great on.

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