This time, the grass-mud horse feeling is not as strong as last time, probably because I cut out my favorite piece of fighting monsters last time. This time... it doesn't matter (and the piano music of the fit is used again by Xiaobian), but it's generally better to go. On the basis of the (doujin) story laid by the broken, last time I completed Toji-kun, this time I completed Nagisa Kaoru (← Do you want to be such an angel!! He also went to help humans), and the roles of ASK and glasses girl increased (although very happy ) and the new roles basically weaken the protagonist. Lingbo and Kaoru are completely useless. Fulfilling the basic factor), the shogi piece even makes people feel that the ruffian pretends not to know that everyone has guessed the deep meaning for so many years and then comes to reveal it by himself.
Finally, the mode of fleet commander + radish maneuver is also used (I know what you have always wanted to use, ruffian!), and the humanoid radish mud has not played enough to come to the humanoid battleship (I really admire the brain hole), the battleship itself With the AT field, I want to say that I really want to show that every human being has it. This is the AT field for the occupants of the battleship. It turns out that Nima is a huge first machine.
Finally, the humanoid angels can also have a chance to fight against each other (since it is impossible to officialize the EVA vs. Gundam vs. Ultraman vs. Ultraman…), I mean that the pilots on both sides are capable of taking care of themselves (?), oh no , isn't it great that the self-aware protagonists are fighting and fighting or something!
Finally, even the attacks of the Blue Sauce are three-dimensional, and the bridge as a whole has replaced the cockpit environment. After 14 years, it's considered a hair...
In other words, the new theatrical version is actually a ruffian who took so many years. What you want to do but can't do (subjectively), and what you can't do (objectively), re-sew and mend, take the current audience's taste as one of the correction factors, and bring supplementary explanations for the metaphysical part (Note 1) , and innovative breakthroughs in setting, using the most advanced production methods today, play the best and most self-satisfied official fan drama.
Note 1
One is to compensate the viewers who watched the original version for the fact that he could not explain himself in the original version and deliberately fooled the past with fashion values (the official explanation is the most valuable after all), and the other is to make the new generation of viewers less confused. However, the most difficult places to express are well materialized and presented one by one in pictures, which has really become a blessing for the audience. I think this is the third ending after "気悪い" and "おめでとう", and it may be closer to the continuation of TV.
Nonetheless, nonetheless! I still want to talk about the composition of metaphysics and creative ideas in the spiritual realm that have been running through the center of this work that is approaching its 20th anniversary (don’t let me describe such a difficult topic, I can’t form a physical expression), no matter what It has been fashionable for a long time, far surpassing other contemporary and even modern works. In this regard, no matter how new the new drama is, it is always the same. On the contrary, the points that can be explored and extended can be said to be ever-changing.
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