In addition, in order to avoid conflicts with trolls who think the film is a commercial fraud film, if you are in the above two situations, please detour to 3Q.
Let's start with the topic.
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This article is divided into three parts and a summary - "3+1" model.
1. New theatrical version: Preface
2. New theatrical version: Break
3. New theatrical version: Q
Summary: 14 years of growth.
1. The new theatrical version of Neon Genesis Evangelion: Preface
- You are (not) alone
The most striking thing in the preface must be the stroke of the title, which can be compared with Mona Lisa's smile, "Ling Boli's Smile", as the first representative still of the Three No Girls, Ling Boli's smile is insurmountable.
"Just smile." Via Ikari Shinji, turned into a classic line, from this classic sentence from the protagonist's mouth, subtly titled for the first preface, the subtitle You are (not) alone, like It was Shinji Ikari who said to Ling Bo Li, "Ling Bo, you are not alone."
The first one is still repeating the 95 and 03 versions of playing the apostles and driving the eva mode. The father who has never met, the confused 14-year-old boy who is overwhelmed, encounters the mysterious apostle, but unfortunately everything has just kicked off and defeated When she was Angel of Thunder, Ling Bo's performance of resisting damage for Shinji Ikari was a leap for her as an emotionless human being.
2. New theatrical version of Evangelion: Broken
——You can (not) advance
For the second part of this work, Ikari Shinji's own psychological changes and the performance of multiple images, such as the bright blue ocean and the scarlet red ocean, are obviously added to the break. The No. 2 aircraft with the red fuselage, the red logo of the NERV headquarters. EVA uses such red and blue changes to explain its meaning.
For example, the flash of the cross when the apostles disappeared, the script of the Dead Sea text and many other elements of the Christian version are integrated into such a huge animation with a huge world view. The Vatican Treaty, European branch, Japanese headquarters and other settings further highlight the author's maturity for the new theatrical setting. The relationship between Blessing and Misato, the duality of Katsuragi Misato, is the duality of being a human being.
In terms of sound effects, the use of various classical music elements has been added. With the elements that are commonly seen in daily life, after the sound of the tram changing lines, I looked at the lamp on the hospital bed with frightened eyes, which reminded me of just watching it. From the early season of the new world, "We gradually felt in this white snow, what is the most fearful thing in my life, the huge world, only the five of us can trust, and these five people are gradually disappearing. .", and what Another Nakamizaki said, "People are always alone when they survive, and so are you, Kun Yijun."
The development of the second part basically followed the model of the old world TV version, and also added A lot of fresh elements have been added, making EVA a more human work, rather than a blind upgrade of monsters. In Katsuragi Misato's "combat that caused a miracle", the third machine was occupied by the apostles, and Shinji had to kill Asuka's sense of emptiness and powerlessness.
"I'll never drive an EVA again."
"Nothing good will happen with an EVA!"
Run away, run away, run away to a place no one knows, go alone to a new world where all the laws of physics fail. Go, deep underground.
But when the force angel attacked the Nerv headquarters, and when Lingbo rushed to the force angel, the self-destruction was ineffective.
"I think, I want to create a world where Shinji-kun can be happy even if he doesn't need to drive an EVA."
When Makiba fought bloody battle with the second machine and turned on the orc mode and still couldn't offset AT Field, Shinji Ikari stood up. . Screaming out, hearty.
"I'm the pilot of the No. 1 machine, Ikari Shinji, please let me drive the No. 1 EVA machine!"
When the power supply of the No. 1 machine was insufficient, and the situation was very critical, when the situation was very critical, he looked at Ling Bo's body that appeared behind the angel of strength, When Ling Bo was adsorbed away.
"It doesn't matter what the world becomes; it doesn't matter what I become. But! Only Limbo! I must save Limbo!"
"Return Limbo!" ("Limbo をかえせっ!"
) With the power of the first machine, the first machine regained the power of the super god. A novice protrudes from the broken limb, the plunger goes to a depth of loss of self, and the power begins to run wild. It doesn't matter how the world becomes, only Lingbo is alone. I just want her alone.
Strong beliefs become new motivation. This triggered the third shock.
Back to the subtitle You can (not) advance, it has a double meaning.
One is that you cannot stand still.
Another is that you can't predict in advance.
As a good starting point, saving Ling Bo Li is his earnest wish. But he never wanted to cause an impact and destroy the world.
So the question is, is it laudable to destroy the world for the sake of a man?
Or is it laudable to kill a man for the sake of the world?
At the end of the day the question becomes a multiple choice question, which one would you choose at the expense of one person and the whole world. Ikari Shinji chose the latter.
So is the life of one person really less important than the lives of people in the world?
Before the third impact was about to come, Katsuragi Misato also began to shout and go berserk.
"Go, Shinji-kun, not for anyone else, but to follow your own wishes!"
"The old life will die out before the new life will appear."
No, we can't stand still. So ushered in the grand theatrical version of Q.
3. New theatrical version of Evangelion: Q
- You can (not) redo Anno
Hideaki gave a decision that everyone was surprised by. The timeline of the new work was pushed to 14 years later, and the first machine was in Earth orbit. After running for 14 years, Ikari Shinji slept on the first plane for 14 years, like a dream, and after getting up, things were different.
As for why it is 14 years, I think it is probably 14 years since the TV version in 1995 was broken in 2009, and the protagonists are all 14-year-old boys, and the repeated 14 represents reincarnation.
14 years later, Ikari Shinji has the curse of EVA, but it is like a paradoxical story in the effect of relativity, the whole world has become a red ocean, and the headquarters of Nerv is also dilapidated. Except for the blue-striped-floored room where the piano is, the imagery used in Q has few bright colors, and none in Shinji Ikari's world. The only pattern of white cloud transformation also appears in the piano score played by He Xunjun.
In the world 14 years later, there are no familiar people, and the overall feeling is oppressive and oppressive. After finally finding the acquaintance Asuka, the reaction was punched in the glass.
"Why is this, what's wrong with this?"
Misato Katsuragi said to Shinji, "You don't need to drive the EVA anymore, you don't have to do anything."
Ikari Shinji's heart must have slipped through "What is the meaning of my existence?" What?" Such a question.
He thought in his heart, "As long as EVA still needs me, my existence is meaningful."
This state of mind was vividly expressed in his lines when he was rescued from Wunder by Ling Bo Li.
"Miss Misato, don't you need me here?!"
EVA describes a deep sense of emptiness and powerlessness, exploring the meaning of life is being needed by others, the Walkman used by Shinji, the big bed, the pure white All the sheets of the book allow the viewer to find a deep resonance. Lying on the bed, listening to the Walkman, rejecting the experience of the sound of the outside world, and completely isolating the outside world from the self, this is the origin of AT Field.
"People are always alone." He thought, "I want to save Limbo because I don't want to be alone." It is
said that the most successful part of EVA is to see the world of adults from the eyes of children. Shinji thought, I shouldn't stand still.
"I should have really saved Limbo."
Just as To be, or not to be will become a popular line, You can (not) redo is exactly the double choice of normal people. It's easy to find more vibes.
The appearance of Kaoru has become Shinji's only expectation from one aspect, and I don't think it's the love of the base. His appearance is the only ray of light and warmth for Shinji in the world where things are changing 14 years later. He is the straw in the eyes of the drowning, and Kaoru tells him the truth of the world. Xun persuaded him to try new things in hopes of good things to happen. However, the straw will eventually sink to the bottom, and all fantasies and bubbles will disappear. Xun-kun's death became the key to Shinji's descent into darkness. The only light is extinguished.
So far, the shade of black, the sea of red has become the main image of this stage.
When watching Q, the battle will be very tense, the scene will be very grand, all the audience are depressed and breathless, the bright colors have finally disappeared, only to fall into the endless darkness.
4. Summarizing
14 years of big dreams and waking up, we also step into the world of adults from children.
We will also become the people we despised as children.
We will gradually deviate from our original intention and forget our ideals and commitments.
Gradually, he became a mediocre person.
High school and college classmates seem to be separated from each other now, and there is no trace of the past. In this sense, isn't our situation very similar to that of Shinji Ikari?
Finally, I want to unify the title and give the whole article a title called 14 Years of Growth.
You are (not) alone
You can (not) advance.
You can (not) redo.
I am not alone.
I can't stand still.
For what has happened along the way for 14 years,
it is impossible for me to do it
all over again.
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