Donnie Yen's "Ip Man" 1 and 2: a kung fu movie that makes everyone very enjoyable, plus patriotic elements, it is strange that it is not sold well. Starting from Donnie Yen, Mr. Ye Wen's elegant style has been shown. The plot is compact, the fighting is exciting, the connotation is acceptable, and it is an excellent kung fu film. The selling point is real work!
Tony Leung's "The Grandmaster": Don't think of this film as a kung fu movie. Although the fighting is also very exciting, Tony Leung's performance when he broke his hand is not as sharp as Donnie Yen, but it is also very good. If you look at this film as a literary film, it will be very interesting. Although the content is not necessarily a true portrayal, it depicts the martial arts feelings of that era in such a romantic way, and every shot and every dialogue is worth savoring, it is a boutique! The selling point is the master's style and feelings!
Huang Qiusheng's "The Last Battle": There is no real kung fu in Donnie Yen's version, and there is no romance in Tony Leung's version. This Ip Man is just as Huang Qiusheng's Remy Martin advertisement said, "It's true." Everything is natural and real. The image of Mr. Ye Wen himself, Huang Qiusheng's version is the most similar. Fights are not unremarkable, but relatively realistic. The connotation is not absent, but it is plain and real, and there is no wanton bloom. The selling point of this version is the real image!
After "The Last Battle", I hope not to make Ip Man movies anymore, because Ip Man's various characters and attitudes have been shaped or truly reproduced by various screenwriters and directors or brilliantly. This classic theme has reached a certain height, and if it continues to shoot, I am afraid it will be rotten. So please let Mr. Ye go!
After finishing the summary, I began to spit and praise "The Ultimate Battle" indiscriminately.
Huang Qiusheng's version of Ip Man is almost the only bright spot in the film, but it is indeed bright enough. The elegant, humble and polite old gentleman treats his apprentices with not only martial arts, but also virtue. When encountering a master, he is polite, and when he encounters a villain, he is also ruthless. He is deeply in love with his wife, but he is also affectionate and righteous to his lover. He was originally a man of affection, so why did the disciples not understand it? When people are old, they hope to find a partner, and in those years as a child of a wealthy family, no one has three wives and four concubines. This is also the reason why I like this film, it did not deliberately create a perfect image.
The other characters and plots are basically rotten, but the style and public sentiment of Hong Kong in that era are still restored well, with a kind and human touch. And my favorite dish rice! ^_^
In particular, I would like to talk about Zhong Xintong. I used to like her sister Asa a little more, and after the pornographic incident, her image really plummeted. This year, I saw her gradually returning to the screen, and I gradually felt that she was getting more and more beautiful, and her acting skills also got rid of her previous cute style and began to mature. Maybe someone who has experienced the trough and has recovered has more flavor. Gillian, that incident is not your fault. Time will wash away the unbearable things and prove something. I'm with you! come on! !
The funny dialogue is from Zeng Zhiwei: "Do you think it's easy to be the leader? I'm laughing and laughing all day." Hey hey hey! It seems that only you are the head of the giggling!
Finally, it ends with the couplet of Master Ye:
the tree of life is a model and is determined to move from the branches and leaves.
Standing up and making money as an example, the inside should be round and the outside should be round.
I really agree with Mr. Ye's elegant and humble attitude towards life.
2013-4-10
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