Like "The Orphan's Resentment", "Case No. 39" says that outside children must not be raised indiscriminately, but its plot is too straightforward, and the suspense falls a lot from "The Orphan's Resentment". The girl in "The Orphan's Resentment" is flesh-and-blood, with the foundation removed, she is still a human image of an old maid; the girl in "Case 39" is actually just a demon in human skin, and the film also gives it an actual representation, but I still don't understand, why are two vague demon images that flashed by, quite contradictory and imprecise, what is this girl like? Of course, you can also understand that she was born with the ability to create hallucinations, but hallucinations and blurred image positioning are two concepts.
Renee Zellweger's first thriller test the water, compared to Cameron Diaz's rigid performance, but not too much of a surprise.
View more about Case 39 reviews