out of motif

Dana 2022-03-24 09:02:15

The motif of EVA is obvious, and the skylight has been opened and said cleanly in the last two episodes of TV, but even this motif is no longer new to me, and I am no longer troubled by the self-loathing that occurs from time to time - I Knowing that self-loathing doesn't last long, even if it reappears right away - I still feel relish every time I watch EVA. Apart from the motif, how to like yourself and not dislike the society is a very forward-looking topic, this animation also has a lot to watch. Every time you watch it again, you will find something new, and you will never forget it for a long time.

My favorite characters are from Asuka to Shinji to Kaji and Miri. I paid special attention to Ritsuko Akagi when I watched it this time. As the chief of the technical section, I was always bitten by the chief of the combat section of the same level, Miri, but she was almost always there from the beginning to the end. He worked hard to solve the problem, but a tragedy was engraved in his fate. Shinji's Oedipus complex and Misato's Electra have been said to be rotten, but now I feel that Ritsuko is a variation of the real Oedipus - after the death of her mother, Naoko, the object of hatred and longing, she can't help but empathize with her mother. lover. The death of mother and daughter corresponds to the tragedy of this fate.

But I don't think I'll ever like Ayanami in my life, even if she's your goddess.

Going back to my earliest goddess Asuka, one of the biggest reasons for the disqualification of combatants is probably not being paid attention to - Asuka probably just thinks that because of her own charm, why does Shinji have no sense of being the opposite sex from the beginning to the end - not being received. Blessing's gaze was actually expected long ago, but I'm not mistaken, neither does Shinji, the idiot, the blow is too big.

I used to think that the second group was the protagonist of EVA, but later I became more and more fond of watching the roles of adults as supporting characters. One is that he should also graduate from secondary school, and the other is that the roles of adults are really interesting. In Chapter 22, Miya said to Ritsuko's ridicule, "I don't want to be told by people who can only put their love on cats." I didn't think it before, but now I think this is really vicious, and it's because of viciousness, so it's so special. Realistic, especially flavorful. This time, I felt that Hyuga was sitting in Katsuragi's car in episode 24, probably because Miri asked him to change the data. That's how the world of adults is.

In addition, although it is a bit slow, this time I also have a new idea about the sci-fi setting. The human completion that SELEE expects should be completed only by Adam's clone, EVA. The human completion planned by the commander is carried out by Lilith, who is deeply hidden in the final dogma (Nagisa Kaoru was very surprised by it, and it can be seen that the committee does not know its existence) and Adam's real body (the blessing was handed over to the commander without telling the committee), plus the beginning. It was completed by the complete Yui soul together with Ayanami. Probably because Lilith, the mother of human beings, may leave more hope for human beings out of love for human beings. Although the whole process was messed up in the end, this setting is definitely impossible to make up.

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Extended Reading

Neon Genesis Evangelion quotes

  • Rei Ayanami: [to Shinji] You're the jerk who was staring at my panties!

    Asuka Langley Soryu: Hey, you were the one who was flashing them!

    Rei Ayanami: Why are you defending him? Are you riding his baloney pony?

    Asuka Langley Soryu: [sweatdrops] WHAT? We're just really good childhood friends!

  • Misato Katsuragi: This is your home now, so make yourself comfortable. And take advantage of everything here, except me.