The British wrote that love is hindered, and the writing is quite restrained and profound, and the solution also has a sense of clarity. There is no dog blood cliché and randomness. Every manor, a lawn, a bay embankment, a street market, a corridor, a flower house, a glass. Every grass and every tree is love, and the furnishings and arrangements of the objects are just right without being extravagant or showing off.
Anne is not beautiful, breaking the previous British "costume film" model of love at first sight. Her attraction comes from her gentleness, her indecision made her miss her love eight years ago, and the narrative begins eight years later when she lives peacefully as an old girl. People are easily influenced by the opinions of others. But persistence is not a valuable character, but compromise is a kind of tolerance and consideration. On the contrary, the willful self is really not cute at all.
Annie said only time will heal the wounds, at least that's what she did. Fortunately, she took the time to strengthen her faith in love, and when she matured, she understood the pain of love betrayal and plunder. Inevitably, she bravely and enthusiastically moved on the road, towards happiness.
England's space haze is reborn, and emotions are pressed to the lowest Key. Literary dialogue is as beautiful as poetry.
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