Less than half a minute into the opening, I felt that something was wrong.
A lot of background introduction. . . .
It goes against the principles of film storytelling that Robert McKee repeatedly emphasized in The Story.
This dude has not read the Hollywood screenwriter bible. . . .
Damn french director. . . . .
The physical principles mentioned in it are messed up, and the three views are completely destroyed. (Physical, social, chemical)
Stories, stories.
Thin, thin.
If it weren't for the girl at the side door, I would have left the
movie thing long ago. It's really only about more talent, not more money.
The spectacle created by the film is not uncommon in the current era of 3D modeling.
I guess the director made it like this:
First, he brought in a few artists and told them that I was going to make a movie like this. You can go and draw it .
Then
, computer modeling. Make it out
and then, tuck the character in it, for a few words.
ok, you're done, you can go and make money everywhere.
Simple me, the pattern Tucson was deceived by the trailer
. Don't you want to go up there to avenge your bloody revenge?
Where are your parents and your aunt?
Didn't you tell that fat black man to get revenge?
What's up is to pick up a girl. . .
Director, I'm really catching chicken for you.
What about political revenge for such a long period of time and filming so few stories
?
What about the love triangle?
Say goodbye to life and death?
How about a world war?
Never trust French cinema anymore. . . . . . . . . . . . . . .
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