But the 3rd and 4th episodes have already started to diverge.
1. Too many lines:
one line for the prison boss, one line for retired detectives, one line for the female FBI chief, one line for Joe’s wife, one line for three killers, plus old killers and emerging new killers, even Children can be a line (some shots are made with children as the center). It's just that there are too many protagonists, and the focus is thinned.
2. Negative strategy:
I hate having set goals, but not actively planning (this will strengthen my procrastination, hee hee). It's meaningless to kiss me and me with the heroine all day long, or talk about life ideals with the old boss. At least it has no effect on the current transaction.
3. Do not act according to common sense:
there are obvious clues, do not deal with follow-up. JOE's meeting records and escape routes are not organized in files and timelines. The exposed staging point made no progress at all.
Fourth, the focus of the episodes is fluctuating:
generally there is a technical flow and a plot flow. Psychological analysis is sloppy to talk about heart and love every day. The plot does not promote, but promotes the killer 3P.
So in the end I chose to give up. . . .
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