The most comfortable scene was when she drove the car alone in the rapeseed field and easily put down a bunch of people waiting for her. A space of a person and a distance makes the story simple from the complexity.
Maybe I suddenly understand the views and humor of Paris where the most important thing is not there, walking through the pain in my heart to a quiet inner depth and future.
It's a beautiful story, first of all because Tatoo is a lovely person who
clearly rejects the bossy boss and doesn't even make any compromises with his interference and threats.
She's a very confident person and doesn't care what other people think of Swedish men
though Not sure this is completely true, but how do you know if you don't go to the future?
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