What's really interesting about this film is the way the French are filmed. The subjective perspective of the camera plays an important role in portraying the character's heart, and the atmosphere created by the space scheduling in the big house at the beginning is very good. The editing is smooth, and the clip in which the killer appears while listening to music and masturbating is quite wonderful, creating a certain sense of ominous and disharmony, and there is also a hint of personality splitting after the arrival of the desire of the heroine's inner world. But in some places (such as the scene where the heroine sees the phone in the room) too fast. The exaggerated use of light sources (car lights, torches, etc.) is also interesting. The use of bloody technology is not a good comment. I don't watch slash movies very much, but exaggerated blood spurting seems to be the way the French like it. The actors are very hardworking, give one more star.
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