For India, I used to call it "Asan" in the Great Celestial Dynasty. However, it is this neighbor, Asan, who is looked down upon by the "celestial kingdom", who has thrown us out a few streets in the film field. A little fly can stage a good show of revenge here. The plot of the film follows the path of a Hollywood blockbuster: an Indian guy chases a beautiful neighbor for two years, and his love is about to blossom, but he is murdered by the villain. Although the plot is relatively simple, the director's grasp of the rhythm can be said to be consummate. More than two hours of film in one go, let you laugh when you should laugh and cry when you should cry. We couldn't help laughing when we saw the flies play tricks on the villain, and we had tears in our eyes when we saw Nani desperately jumped from the fire to the barrel of the cannon and ignited the revenge bullet with his body. Unlike some domestic blockbusters that make you laugh or cry, sometimes you can't wait to pull the director over and ask, is it a bloody plot that came out when you pooped?
If the three fools let us see the narrative ability of Indian movies, then Kung Fu Little Fly let us really appreciate the technological reserves of Bollywood. The special effects of this film are not inferior to Hollywood blockbusters. A very annoying fly on weekdays, from the moment of breaking the cocoon, or shakes his head, or nods, or rubs his front feet, or scratches the back of his head, or sits, or dances, or "fits up," or poses a victory POSS, none of them. Not very real, can not help but admire. America has Hollywood, India has Bollywood, what do we have?
View more about Eega reviews