Continuing the magic of "Midnight in Paris" is the story of Jack: Jack is nothing but a memory of John, and Allen combines the same person, or the scene of the memory, and the memory of the memory into one narrative. . It was John himself who had met such a sexy woman with the name Monica in Rome. Being sexy and pretending is just a difference of awakening, but this awakening also took a man half his life to complete. The resonance of the soul fascinated by poetry, after John's sentence "every poet recites a sentence is enough to fool people", Jack understands it, but he doesn't want to believe it. He firmly believes that there is a so-called soulmate in front of him. Being a soulmate of a man can do whatever he wants. It's not that they are malicious, they are also living in the hallucinations that they have built, and are moved to tears by the plot of their performance.
Neurotic, paranoid, grumbling, Woody Allen is back when Woody Allen shows up. Saying that Michelangelo, a lawyer who defends workers' rights, is a communist is already an old stalk of Allen, but it doesn't make sense to use it as a satirical depiction of the middle class. The bathhouse opera finally succeeded, and Allen once again "confirmed" that he was ahead of his time and was ahead of the times. But Woody Allen's classic happy ending confuses us again: whether it's a farce or a tragedy. Watching Michelangelo's father succeed again and again on stage, we don't know whether the bath opera is ridiculous or laudable. Whether it's the middle class or the society itself, it's so strange, I can't laugh or cry, I can only laugh at it.
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