Perhaps this is due to the vague concept of Russian director Timo Bekmanbetov's concept of historical figures in the United States, thinking that any character can be arbitrarily fabricated for everyone's entertainment. Through this derogation, I hope that the director can understand that even in such an open and free country, it is the basic code of conduct for people to do things. The Sun's Watch and The Night's Watch were much praised in return. The most worrying thing is that the director may well know the "unspoken rules", but he has to use alternative means to uncover the scars that people don't want to face. If this is the case, as outsiders, we have to praise the director's foresight and shrewdness. As for the director's deep metaphors, I won't dig deeper, let the housekeepers who like history ponder and savor it again and again!
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