2. No matter in terms of narrative or structure, how should the director break the reality of time and space to tell the story in the language of the lens, and what kind of movie is suitable for the narration? In this movie, I found some answers. Just imagine how bad it would have been if the Italian neorealist period film + narration was used. The more alienated your story is from the real time and space, the more the director can intervene and manipulate in this time and space of your film. It is time to study Brecht's alienating effect.
3. The performance enriches the texture of the film and creates a good rhythm. After the husband came home, he found that the pilot was lying in his bed, and the rhythm was slow. When the wife came back from the Nazi spy, facing her husband and the so-called pilot, the rhythm of the three people's language suddenly became fast. This kind of performance suddenly improved The inner rhythm of the film, including the sense of rhythm in the overall language, the conflict is worth learning, and the rhythm of the performance can be studied more and more from now on.
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