In this movie, three generations of conspiracy girls gather together, and Hong Kong has Faye Wong and Carina Lau to take the lead, and Maggie Cheung also A small face was also revealed in the wet memories. Gong Li is old and dry, and the "Black Widow" is worthy of the name; Dong Jie has not yet grown, and the popsicles are very small and fresh; Faye Wong is good-looking, but it is cold as if she forgot to wear long johns; Sister Jialing, I only see her Nostrils are guilty of sin. Only Zhang Ziyi, who is naive and foolish in her pretentious sophistication and charming, and the cut Shui Qiutong in the Christmas Eve silhouette really made me dizzy. Director Wang's films are always boring and depressing. This time I actually watched them for more than an hour without blinking. It was all due to Xiaozhang's unbridled laughter, jumping Beijing films, and gnashing of teeth that couldn't be concealed. Come on~
Zhang Ziyi and the music can be given five stars
. I'm afraid that the audience can't understand such obvious metaphors and explain too much nonsense. One star is deducted. Tony
Leung threw off Zhang Ziyi's hand and strode away.
)
I re-read Zhang Ziyi's part, it only lasted more than 30 minutes, it turned out to be just a small part of this long and boring film.
But think about it again, there were a lot of tangled threads in this section, and after this section, it was woven in a wild way, and only this section was whole.
Ambiguous but the partitions of the hotel room full of gaps. The new tenant of 2046 appeared with the sound of Zhou Sheng's violent sex next door. There are only a pair of bare legs under the camera, and Dan Kou is dazzling but restless. Rough and domineering slapping protests interrupt the erotic meaning that has just been accumulated, and the ramble monologue from the first-person perspective turns into a satirical onlooker from the third-person perspective. If there is a faint hookup, a tangle like honey, Mr. Zhou wakes up from the world constructed by his own writing, revealing the cunning of the philistine under the skin of literature and art. In this room, Miss Bai's refusal contained temptation, but the thorn in her words melted away. Christmas Eve is an inflection point, with warm companionship, irrelevant past events, "just want to be friends who drink alcohol", and transition to the beautiful and short stage of "both want to go to bed but haven't yet". The part in the car was black and white. The drunk Mr. Zhou leaned on the preoccupied Miss Bai's shoulder, held hands and touched her legs, and formally exchanged dance steps. On the night when I went to the mutton pot to eat and get angry (Xiao Zhang's footsie is really sexy), Miss Bai's good days are over - Mr. Zhou did not forget to pay before he pulled his dick and left, and explained that it was not a whoring but a friendship gun (this paragraph Reminds me of the joy of seeing the morning sun with my lover in "The Scarlet Letter"). Compared with the first match, she was as low as the dust in the second sex scene, and the third one was purely upside-down with free shipping. Everything about Miss Bai was always bright. From then on, the delicate makeup of the bright cheongsam was gradually replaced by bloated pajamas and unkempt hair. The silky wink turned into a charming and arrogant anger. The most attractive and annoying women are in this undisguised place. In fact, what you like is cute, and what you hate is ugly. From insisting to "Get out! You can't have other women if you have me, or we will break up" to "I don't mind if you have other women, but I can't be like them", but what about anger? He wasn't on the track at all. She leaves with the same clapboard and the same crunch, the exact same scene she appeared in. The sad thing at the end is the neat box of "meat money", and Mr. Zhou broke away Miss Bai's fingers to break free. Thinking of the scene where he desperately shoved the gift into her hand, Miss Bai is a brainless man. It's your own problem, don't blame others.
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