In that film, the director used three short plays to show the "dehumanization" of Tokyo, a representative of the modern city. A man who turned into a "wooden chair" and finally found his purpose; a monster obeying God's mission to balance the world; and my favorite story: "The House". Too many people have walked into the secret room of the "house" now, and it takes a strong shock to wake everyone up.
Watching "Sacred Car Dealer", I was first attracted by the poster. At first glance, if you don't have the patience, it's really boring. Before the appearance of "virtue", it gave people a feeling of being in the dark. But my intuition tells myself that this movie is like "Mulholland Drive", and only after watching it can I hear the dull overtones again.
In this modern world, occupation is the basic requirement of human survival. 24 hours of actors, playing a variety of roles. In fact, everyone is like Oscar, sitting in the same stretched car, playing a role that society needs. In life, the role we need most is often left behind.
The sanctity of the car dealership is that it returns the most real life to the actors, but even so, the car dealership itself has a sense of urgency to be eliminated. In this era, is the life world still possible?
Heidegger's teaching can only become a kind of "expectation", but the "open space" has not yet been opened...
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