2. The work is immature. From the beginning of the eradication of violence and Anliang, it is relatively vague, and there is no limit to power. It's playing red and black. If there are no restrictions on power, it will inevitably lead to the 1960s in China. But the movie is very vague at this level. In fact, it can express this meaning sharply with a little change. It may be because the writers and audiences of Laomei have little experience in this area.
3. The plot is protracted. This is also a sign of immaturity. Most of the excellent works in recent years have no pee spots, but this movie makes you have endless water to drink, endless melon seeds, and endless shit.
In short, there is no bright spot except for the creativity. It is guessed that it is the creativity of a second-rate director/screenwriter. A finished product made by a third-rate screenwriter. Obviously the second-rate screenwriters in Hong Kong can make this story into a very funny commercial blockbuster (it is enough to copy the small plots such as Mr. Zombie and so on).
View more about The Revenant reviews
