haven't read the original book or other versions of the film, so I feel fresh, and I believe that the reason why the film is presented in this way must be It is self-evidently in line with the current era, and implies the contemporary nature that is in line with the present. That last shot is beautiful.
Anna is also beautiful. Therefore, she cannot coexist with such a scenery, and the cold railroad tracks are her final destination. In fact, when she was sick after giving birth, I thought: You might as well die.
In the end she said she was still in love for the rest of her life and hoped to be forgiven.
It's just that I don't know if what she did later was a renegade! I think, from the film alone, the handsome officer at this time should be considered extremely unpromising. In fact, he had long since stopped looking at her for the first time.
The film doesn't see the reason why her husband loves her so badly, I'm amazed at his recovery, even if it's full of irony.
I don't know if Anna and the officer fell in love with a revolt against the dreary life or something else, but it just happened, just like who would meet someone someday for no reason. Maybe I should go and read the original!
I think the thoughts of the young master who harvested by himself are a bit trendy, especially the dialogue between him and his serfs. The things he thinks are very revolutionary, so although he may not really understand the relationship between reason and love, he has made the right choice, and he is lucky, God still gave people a glimmer of hope! I think in the days to come, he will still think about whether his choice of wife is also rational, but he must not think about it.
Anna's brother is a wise and cunning guy! Because of him, his wife who is no longer young is making a painful choice between leaving and staying, but after all, it is no longer a matter of love or not. Nowadays, everyone knows that children and years of affection and love may be completely different things (this has become the best way for men to escape the condemnation of conscience), but they don't know why people always choose between the two. burden. Anna is choosing between love and life. There is no right or wrong in her choice, but it is also true that she loses life.
After recovering from her illness, she said that she did not want to say goodbye to him. I knew she was stupid again.
In that era, just like in ancient China, a woman's whole life was on her family and the person she married. Now, after all, women have some bleak but feasible alternatives. No one knows whether the life they desire now will still be the life they will cherish many years later, because in the process of pursuit, people will continue to lose and continue to lose. Add to. But remember, always respect life or it will punish you; don't choose betrayal, whether it's betrayal of yourself or someone else, so no matter what you think of Anna, she's still shining the moment she confesses to her husband.
In short, it is always the women who are destroyed in the end, but there are still so many people who follow. "I LOVE YOU" men are used to saying this, but it's actually shit.
Maybe the skirt and the house are really more real and textured than that LOVE! Not that LOVE is bad, but more expensive.
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