God still shot

Leopold 2022-03-24 09:01:42

I have never disliked or admired the films of the Coen brothers. I have not seen many films. Most of "Frozen" and "No Country for Old Men" have a dark tone of murderer, gloomy, and unsolvable cases, which makes me always follow the United States. The countryside is separated by a layer of alienation. This "Serious Man" is different. The dark humor has always mixed with the incomprehensible Schrödinger's cat theory, which has swayed people's appetite for the ending of the story.

I never know anything about physics, but I do know a little about cats. On the way back from the American event center, I kept Baidu's "Schrödinger's cat" theory

. Yes, the probability of each possibility is 100%, but once there is a subjective observation, there will be a "probability collapse", and all possibilities can be attributed to a "fact".

Then there's a phone split-screen showing a six-page encyclopedia:

put a cat in an opaque box, and connect that box to an experimental setup that contains a radioactive nucleus and a container of toxic gas. Imagine that this radioactive nucleus has a 50% chance of decaying within an hour. If it decays, it will emit a particle, and the emitted particle will trigger the experimental device, open the container of poison gas, and kill the cat. According to quantum mechanics, when no observations are made, the nucleus is in a superposition of decayed and non-decayed, but if the box is opened after an hour, the experimenter can only see "decayed nuclei and dead cats" or "undecayed" nuclei and live cats".

Along the way, I began to struggle with this half-dead Schrödinger cat, this serious man who was in constant trouble, and the 20 yuan in the little boy's Walkman.

Perhaps, the serious man who talks about physics in college is himself a half-dead Schrödinger cat. When his life is put into "an opaque box", family problems, neighborhood problems, work problems, and emotional problems occur one after another." Decay", he still fantasizes that he is the same as before, but can only live the life he wants in a dream. In my impression, every time he encounters a difficult life problem, he will choose a smooth way to solve it, but the result is just a sad dream.

He is like "the cat in the box", he doesn't want to live this kind of unclear life, he starts to seek one rabbi after another, he wants to know whether he is 100% alive or 100% dead:

The first rabbi summed up his point of view of looking at things and believed that he should observe from a different point of view, just as the life and death of "Schrödinger's cat" depends on people's subjective observation. The second rabbi made a big circle of "help me", but finally concluded his statement with "who care", no one wants to care about the invisible cat. The third rabbi was more pure, sitting in a room with the door closed, and his announcement to the man outside was "he's busy".

He had no choice but to struggle in this "invisible box" until at the end of the film he received a phone call and he needed to go to the hospital to see his X-ray immediately, the real "serious" thing was finally going to happen in " a man". Or maybe God was crazy about Schrödinger's cat and shot the poor cat like Hawking.

At the end, the little boy finally has the money to pay back the "creditor" who has been chasing him, but it seems that the "creditor" has long forgotten about it. This seems to be another "Schrödinger's cat" mapping, if you don't care about the cat's life or death, then the cat doesn't exist. Everything depends on your point of view.

The composition of the film is very special. The protagonist always appears on the left side of the screen, and the beautiful scenery of the blockbuster occupies most of the right side. Many of the pictures are ingeniously conceived and the shots are used very skillfully, which should be the narrative language that the Coen brothers are good at.

I don't understand the first paragraph at all, and there are many places in the middle that I can see "in the middle", but the film is very interesting overall. The dark humor and "Schrödinger's cat" mix together to create a unique flavor, which makes the whole film wonderful and beautiful.

ps: This film is one of the screenings of the "Jewish Film Festival". I watched it at the American event center. I was impressed by the friendliness of the organizer and the staff. Thank you for the screening.

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Extended Reading

A Serious Man quotes

  • Rabbi Scott: No, of course not. I am the junior rabbi. And it's true, the point-of-view of somebody who's older and perhaps had similar problems might be more valid. And you should see the senior rabbi as well, by all means. Or even Minda if you can get in, he's quite busy. But maybe - can I share something with you? Because I too have had the feeling of losing track of Hashem, which is the problem here. I too have forgotten how to see Him in the world. And when that happens you think, well, if I can't see Him, He isn't there any more, He's gone. But that's not the case. You just need to remember how to see Him. Am I right?

    [He rises and goes to the window]

    Rabbi Scott: I mean, the parking lot here. Not much to see. It is a different angle on the same parking lot we saw from the Hebrew school window. But if you imagine yourself a visitor, somebody who isn't familiar with these... autos and such... somebody still with a capacity for wonder... Someone with a fresh... perspective. That's what it is, Larry.

    Larry Gopnik: Um...

    Rabbi Scott: Because with the right perspective you can see Hashem, you know, reaching into the world. He is in the world, not just in shul. It sounds to me like you're looking at the world, looking at your wife, through tired eyes. It sounds like she's become a sort of... thing... a problem... a thing...

    Larry Gopnik: Well, she's, she's seeing Sy Ableman.

    Rabbi Scott: Oh.

    Larry Gopnik: She's, they're planning, that's why they want the Gett.

    Rabbi Scott: Oh. I'm sorry.

    Larry Gopnik: It was his idea.

    Rabbi Scott: Well, they do need a Gett to remarry in the faith. But this is life. For you too. You can't cut yourself off from the mystical or you'll be-you'll remain-completely lost. You have to see these things as expressions of God's will. You don't have to like it, of course.

    Larry Gopnik: The boss isn't always right, but he's always the boss.

    Rabbi Scott: Ha-ha-ha! That's right, things aren't so bad. Look at the parking lot, Larry.

    [Rabbi Scott gazes out, marveling]

    Rabbi Scott: Just look at that parking lot.

  • Larry Gopnik: She seems to be asking an awful lot. But then, I don't know. Somebody has to pay for Sy's funeral.

    Rabbi Nachtner: Uh-huh.

    Larry Gopnik: His own estate is in probate, but why does it have to be me? Or is it wrong to complain? Judy says it is. But I'm so strapped for cash right now, carrying the mortgage, and paying for the Jolly Roger, and I wrecked the car, and Danny's Bar Mitzvah coming up, I...

    Rabbi Nachtner: Something like this... there's never a good time.

    Larry Gopnik: I don't know where it all leaves me, Sy's death. Obviously it's not gonna go back like it was.

    Rabbi Nachtner: Mm. Would you even want that, Larry?

    Larry Gopnik: No, I- well, yeah... sometimes... or... I don't know; I guess the honest answer is "I don't know". What was my life before? Not what I thought it was. What does it all mean? What is Hashem trying to tell me, making me pay for Sy Ableman's funeral?

    Rabbi Nachtner: Mm.

    Larry Gopnik: And did I tell you I had a car accident the same time Sy had his? The same instant, for all I know. I mean, is Hashem telling me that Sy Ableman is me? Or that we are all one, or something?

    Rabbi Nachtner: How does God speak to us? A good question.