The music is great, and if there's an opera version, I think that's a good one too. The music at the dance perfectly expresses the psychological activity of someone empathizing and falling in love with Anna.
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Onie 2022-03-23 09:02:05
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Meaghan 2022-04-24 07:01:11
Betrayal doesn't end well, rational pursuit of love~
Angelo 2021-12-18 08:01:10
The adaptation is quite new, but there is always a sense of British imagination. . . The actresses and pastoral scenes are too British. . . Is the director really a fan of Keightley? I always think it's her black. . The male lead is whiter and more beautiful than the female lead. . . Volensky buried his head in Karenin's chest and I thought he was the heroine. . . The same eldest lady with shoehorn face throws away the heroine N street in the same scene. .
Alexei Karenin: [Anna is in bed. Alexie Karenin is getting ready for bed. Anna listens apprehensively to the little noises of Karenin's pre-coital preparations] ... not that I care for decorations but...
Anna Karenina: Alexei... I can't... I'm sorry... But I'm his wife now. I am having his child.
Anna Karenina: But I'm damned anyway.
Count Vronsky: I'm not. I'm blessed.
Anna Karenina: You love me.
Count Vronsky: Yes.
Anna Karenina: Only me.
Count Vronsky: No.
Anna Karenina: Apart from Frou-Frou.
Count Vronsky: Yes.
Anna Karenina: But me more than your horse?
Count Vronsky: Yes.