First of all, as shown to us at the beginning of the movie, this is a happy family. The father is a psychoanalyst, cheerful and a little childish, with an orderly life, loves running, and cares about everyone in the family; the wife is engaged in a job that looks like a publishing house, elegant and intellectual, and there is a love-like relationship between husband and wife; The son is a middle school student, quiet, well-behaved and reserved; the daughter is a member of the school basketball team, warm and cheerful. When the family is eating, the scene is so warm and harmonious, and there is a sense of happiness everywhere. I didn't think about what kind of family I would make, but I have no doubt that I want to make a happy family too. But as the story went on, I gradually discovered that a perfect and happy family life is seen from the perspective of the male protagonist, and not so perfect from the perspective of the son. And I also think that the beginning is a perfect and happy family, which shows that I have unconsciously stood in the position of the male protagonist, and even regarded the runner as myself. Looking back at the happy scene at the beginning, something new emerged. Even what is perfect to one person is not necessarily from another person's point of view; in addition, perfect happiness, orderly, does it mean that life has come to an end, has stagnant and monotonous? The dull smell also came out. After being a psychoanalyst, or a counselor, and seeing many cases with unfortunate families, whether it was due to my inherent insecurities or my narcissism, then I would also come up with a how-to for myself. How about a happy family?
Secondly, the school suspects that the son has stolen something, how should the family deal with it? The male protagonist ran back and received a call from the school, learning that his son might have stolen the shells from the school. The male protagonist is very peaceful about it, and the whole family is very relaxed about it, which can be seen from the way they talk about it at the dinner table. The male protagonist accompanies his son for a walk on the playground and jumps up and down childishly. To create such a relaxed atmosphere, I think the actor wants to let the child choose whether to tell the truth or not without putting pressure on the child. But what I didn't expect was that the son didn't tell his father what he wanted to tell his father for fear of disturbing his father's happiness. Instead, she told her mother when she was cooking. The mother was a little surprised, but she still hugged her son's head and forgave and tolerated him. However, I have reservations about whether this is the end of the matter.
The central theme of the film is mourning after a bereavement. There is so much attention on this topic online that I don't want to talk about it here. There are several interesting patients in this video that caught my attention. One is a female patient suffering from compulsion. Her compulsion is to find mutual antonyms and do something at a fixed time. When the male protagonist proposes to suspend the consultation, she shows extreme loyalty to the male protagonist. There is also a female patient who accused or complained that the level of the counselor was not good enough to help her at the beginning, and declared that she would no longer come for counseling, but it continued for five years, and she still did not come as scheduled. There is a male patient who lives very well, but he always has suicidal thoughts and is troubled by it. Only in the male protagonist's consultation room is his happiest moment. But during the entire consultation process, he freely associated himself with 150 movies and N novels, but he didn't mention his own affairs. But at the end of the session, he was fine and the session worked well for him.
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