The more successful part of the film is that the characters are not simply masked. Except for the fact that the victims are relatively simple, other characters are given layers. If Sylvia can also be more "three-dimensional" (I don't believe in skepticism. In reality, she is so simple), of course, such a setting will obviously challenge the mainstream crowd, but the overall film has exceeded my expectations.
The rest of the way is normal, the narrative editing is smooth, almost all the actors are restrained but full of power, and Catherine Keener's performance even on the big screen still surpasses most actresses of the year.
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