and a movie encounter, also need a fate.
——Written in the front
for a long time, I haven't calmed down to watch the movie list I made for myself.
918, the days when I should have worked overtime, but because of some trivial matters, I was crowded on the subway during the evening rush hour, and I came back all the way. Turning on the computer casually is actually very purposeless, and just opened this scene movie - Mong Kok Carmen.
——I have cooked rice in the kitchen, and I also bought a few cups. I know it will be broken in a short time, so I secretly hide one, and when you need that cup one day, I will call it. Give me a call and I'll tell you where to put it.
—I want to tell you that I found the cup.
These are two lines in the movie that left a deep impression on me, one is from Maggie Cheung and the other is from Andy Lau.
In Hong Kong in 1988, if there were young and bewildered boys in Wong Jing's film, then the Kowloon Mong Kok in the movie must be a Hong Kong full of soot and scoundrels, but in Wong Kar-wai's shot, it is full of people who are hard to come by today. Attached to see the green breath. Suddenly, Hong Kong came back to what I remembered as a child.
If you don't want something, it will become someone else's in the next second.
So Andy went to her and took the glass that was found.
When he saw his cousin who seemed to have a boyfriend, he suddenly felt very regretful. So he threw the cup into the sea on the return boat. Just then, the BB machine rang.
Love may often be like this. Just when you throw it out, thinking it's over, it snaps back to you.
In the movie, Andy Lau was immature and handsome, with green eyebrows, flat belly, clean face, grabbed Maggie Cheung and ran into the phone booth on that summer night, surrounded by the corner, kissed and kissed, let me see Red face and drunk heart.
- I can't promise you anything.
Andy turned around and walked upstairs. The girl hesitated, but went upstairs cautiously. With every step, the smooth calf seemed to make people feel the girl's little mood, and she became nervous and excited as she went up the stairs. The nervous thing is that we know the ending. We rationally think that a good girl will have a good ending with the young and dangerous boy. The exciting thing is that such a man is fascinating, why can't the girl love him, follow him, even if you can't see it In the future, why not be impulsive once in a while?
Andy went through the crowd with a machete just to avenge his younger brother and become a qualified big brother. The wine bottle shattered in response, but the blood flowed from the top of the head and the forehead at the right angle.
This is Wong Kar-wai. Unlike others, Wong Kar-wai can be very sensational when filming gangsters.
When I was a child, I didn't like Maggie Cheung. To be exact, I didn't like Maggie Cheung that much before watching this film again. She was not the beauty in my impression.
But in Wong Kar-wai's shot, the silence between the woman's low eyebrows and pleasing eyes has a lively and playful look. She simply wraps her long hair and touches her lipstick in the mirror. Her unruly face is round and plump. So sexy and charming, it seems that many years later, Andy Lau said in an interview with reporters: If I say the type of woman I like, it should be Maggie Cheung in "Mong Kok Carmen". There is probably no man who can resist such a woman. Even a woman like me is already tempted by it. The girl sent Andy back to that station in Kowloon. Two lines of tears broke my heart. I didn't cry, just two lines of tears.
There is no way to imagine the beauty of the twilight. Many times I look back at the past, just like the last scene where Andy was shot, and I still think of the most beautiful scene, the phone booth, the girl he was kissing, and the clear eyes. , time will eventually turn to dust, and we are still here, remembering that scene with warm sunshine.
This is the charm of the movie, touching the tip, but leaving no trace.
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