The second half of the story suddenly became the theme of family affection. The girl's father knew the fact that his most beloved daughter was making an auxiliary date. He killed one man after another who had slept with the girl. He watched the men kiss from a distance. He didn't know what to do with his daughter's forehead. He put his hand into the boiling water. In this family where there is only one father and daughter, a daughter has become a man's most valuable asset. The father gently stuffed breakfast into his daughter's mouth and gently played the piano music to wake her up. Gently tell my daughter a story every day in the car. This is the tenderness of this father, the deepest love of a man, and the most primitive interpretation of love by director Kim Ki-duk. On the mountain on the anniversary of the mother's death, the father and daughter accompany them to eat sushi rolls made by the man in front of the tomb, accompanied by the ethereal scenery of the wild, and the damp and clear air in the mountains also drifts away with the camera. The daughter leaned on the shoulders of the father and fell asleep to the father to make the daughter who was learning to drive for the first time to drive the roadblock with small stones into pieces with yellow paint. The daughter slowly reversed the car. The father was taken away by the police for murder. The last thing the church gives her daughter is to drive a car independently, and even to control her own life independently because death brings salvation and her daughter's final growth.
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