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Camryn 2022-03-24 09:01:58
A sneaky lunch time to complete this musical journey, the inner feedback is intricate. Being taciturn may be a sign of August's talent, but it's always difficult for me to associate him with a musical genius with clear eyes but full of mystery. Starting from the "listening" sentence pattern in the opening monologue, there is a suspicion of contriving, at least in my opinion, it is a bit contrived, not sincere, and not atmospheric enough. Old William's presence was a surprise. Anyway, I was still moved when I saw the little fur boy wielding the baton at last, but I was moved by such mass production and then unified packaging and selling at a price. I don't know how long it will last.
Extended Reading
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Amy 2022-03-25 09:01:09
To be honest, the screenwriter really doesn’t have any new ideas. Fortunately, the whole and the music are great. Every time I am moved or have the urge to cry, I don’t know whether it is the genius behavior or the music that makes me very excited, or both. The OST of this film must be found. BTW: I said how the male lead is so familiar. It turned out to be the male lead in [Matter Point]. He is very handsome and talented, but he is a bit naive. It's okay in this film, but it's more obvious in [Matter Point].
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Juston 2022-03-27 09:01:08
The world needs genius
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Arthur: What?
August Rush: I don't have a place to stay
Arthur: Do I look like a real estate tycoon to you?
[August shrugs]
Arthur: How many dead presidents you got?
[August looks at him blankly]
Arthur: Nuggets? Shorts? Show me the money!
[August takes out a wad of cash]
Arthur: Are you thinking what I'm thinking?
August Rush: No, I'm thinking something else
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Louis Connelly: I can't do it. I'm sorry Frank, I can't do it.
Marshall: No, Louis wait.
Louis Connelly: No! Let me go!
Marshall: Louis!
Marshall: Just let me go man! WILL YOU JUST LET ME GO!