2. In the last paragraph, Lawrence Oliver first confessed to Fontaine his conflict with his ex-wife, and then recounted that after witnessing the accidental death of his ex-wife, he only did the activities of transporting corpses and hiding corpses in shipwrecks. The combined suspense here and in the courtroom scene that follows is that Oliver may well have deceived Fontaine that he actually murdered his ex-wife because of her infidelity, followed by what appears to be his possession. The adulterer of the murder evidence, and in the process of verifying the evidence, Oliver has always shown a kind of unease, afraid of being exposed to lies, but in the end, the mystery of his ex-wife's suicide due to a terminal illness was revealed, and she was not pregnant. . The genius of this design lies in the complexity of human nature displayed in the suspense.
Oliver didn't kill his ex-wife, but it seemed likely that a lot of adverse evidence would point him to the murderer, so he was afraid. At the same time, although his ex-wife is dead, her infidelity to Oliver has always made him brooding, so he resents. These two emotions have caused him to get out of control when he encounters things and situations related to his ex-wife. .
And when the mystery is revealed, he falls into another psychological imbalance. The murderer's suspicion was eliminated, and he should feel relieved, but the fact that his ex-wife was not pregnant but was terminally ill made him feel that it was because of his suspicion that she was pregnant with evil. Become an indirect murderer, resulting in guilt, and the end of the heart is replaced by sadness.
3. Cancer, put it now, I am afraid that it is three commonplaces.
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